Day 1 of 100: Starscream, a Curse and Why 100?

*tap, tap, tap* Is this thing on?

So it’s Monday afternoon and I’ve managed to get through the entire day without even thinking about Facebook or Twitter. Well, until writing this post.

I’ve also managed to yell at my computer, which I’ve dubbed “Starscream” — twice. The computer name came from a poll I took last week where people on Twitter and Facebook suggested names and then voted on them. It feels like it was the last “fun” thing I did before going dark and I laugh every time I think about this. My office is decorated with all things geek — including a spectacular set of 80s Transformers illustrations which people didn’t even know I had. To my right I have the original Star Wars fan club poster of the Millenium Falcon, a signed Thor print, Soundwave and Blaster. That doesn’t even begin to cover the collection of things on my desk and the other two walls.

Outside of pouring through the tubes to see reader’s reactions for Paths of Storytelling, I didn’t really use the net for much else this weekend. Reviews… Oh, how I’m wondering what those’ll turn out to be.

ANYWAY. I digress.

So… Where was I, again? Oh yeah, the Curse. You know that saying about how people are wrong on the internet? Well, if Damn You, Autocorrect! is any indication, sometimes people aren’t always wrong. Maybe they posted a typo or maybe they were trying to be sarcastic. Truth is, not everyone is dumb yet, when the Curse strikes, that’s exactly how it feels.

I call it the Curse of Well, Actually. What happens is, is that in our need to get accurate information online, of which there’s sometimes very little, we correct someone using these dreaded words. I’ve done it; others have done it, too. In our desire to find accurate information, though, sometimes this really downplays the person’s intelligence on the other end.

Why am I bringing this up? Well, after I announced the 100 Days experiment I got some interesting feedback. My fiancee, Matt, declared that I’ll be back on by the end of this week. A few people thought one hundred days was a long time to be off of social media; others wanted to track my progress and see what the results were.

The obvious question, of course, is why I chose one hundred days. Well, here’s the interesting thing about that. The reason why I picked that length of time, is because rumor has it it takes that long to learn a new routine. What I want, is to do two things before I even start the rest of my day: work out and work on my novel. Period. I need to do these things regardless of how much time I spend on them and what other commitments I have during the day. Otherwise, Argentum will never get done and I’ll continue to feel like a sea slug, even though I’ve been hitting the vegetables hard.

So that’s the reason behind the length of time. After all, if I want to have a series of novels gracing the shelves of your local bookstore, I have to focus on the work. It sucks, because I do enjoy hearing how everyone else is doing, but there it is. To establish two good habits I need to break a bad one.

– Monica

100 Day Experiment: Turning the Lights Off on Social Media

I don’t know about you, but lately I feel like I’ve been a little scattered. There’s always something shiny and new online, and there’s no better way to see, hear and share those new and shiny things than through Facebook and Twitter. That’s when I realized: I’m checking Facebook and Twitter before I open up my e-mail. I’m not reading through a website anymore, I’m scanning a headline or a link and making snap judgments. When the political unrest happened here, I spent more time on these interfaces, too. When I had a new release? Same story. I’ve been glued to my computer screen watching reader reactions to Paths of Storytelling for Vampire: the Masquerade.

Light Bulb | Taken by Buckey at sxc.huLately, I feel I’ve been getting news poisoning more easily and I’ve been moodier than usual. (Incidentally, news poisoning is my definition for what happens when people’s moods shift from upbeat to negative after hearing so much bad news.) I hear about all the things going wrong with the world — earthquakes, floods, rebellions, etc. — and I wonder what I (or anyone else, for that matter) can do. It’s overwhelming.

Add any positive news, book releases, business offers, or whatever else on top of that and I head straight into information overload. Now, it’s not: “Hey, social media is this fun thing that allows me to share news and connect with people.” It feels like either I’m connected or I miss out. If I log-in just one day late, I’m obviously not paying attention.

The analyst in me also recognizes that social media, especially when coupled with web analytics, has a built-in reward system. I see instant feedback: traffic, likes, comments, RTs, shares. I see instant validation. But to what end? Well, that’s what I want to find out.

So, I decided to try an experiment that was limited in its scope and manageable on my end. Here’s what I’ve come up with:

Rules for the 100 Days Experiment

    Go Dark on Social and IM – No Twitter, no Facebook, no GTalk or Skype unless used for business purposes. My blog and FlamesRising.com automatically feed to my Twitter account, so for all intents and purposes my account will remain active. Same thing with Facebook. I recently bit the bullet and created a Monica Valentinelli on Facebook author page that’s public and assigned an Admin. So, people can still follow my work without me having to log in and approve them as my FB friends.

    Avoid Analytics for Personal Use – Web traffic, sales data, etc. can be its own distraction because it is, in a sense, validation for my efforts. For this 100 days? I don’t want to know how many followers I have, where my work ranks on the various sales lists or how many friends on Facebook are commenting. I am not going to watch what happens to my blog, newsletter or RSS feed traffic either. I’m simply going to shut off the “rewards” until all this is over.

    Focus on Creation and Maintenance, not Consumption – If I want to be an author and sell books, then I need to put most of my efforts into the content creation, rather than the consumption, category. As a creator, I already don’t watch a lot of television. For this jaunt, though, I’m going to limit visual media (video games, movies, TV); I won’t have it on while I’m working and will only use it when I’m taking a break. I’ll probably explore this further in an upcoming post. I’m also going to put more work into my blog. Part of my reasoning behind this is explained below; the other part is that I own this website. I don’t “own” Twitter or Facebook which, for a writer, is dangerous.

    Utilize my Blog for Accountability – One of the things that’s worked for me in the past, is to have a mini-goal that serves the purpose of accountability. Did I create that day? If I force myself to report my creative activities and personal goals, then I’m going to accomplish them because someone on the other end of the line will hold me to it. In my experiences, the best way to achieve this would be to blog more frequently than I have been. After going back-and-forth, comments will be open and moderated. If you want to, you will be able to read about my observations. It won’t all be serious, I’m sure.

    These Rules are for Personal Use – If a widget is broken and I need to test it? If a company throws millions of dollars at me and I need to engage? If a gaming company or publisher asks me to do a scheduled chat? The idea of a hundred days is for my personal, rather than professional, use. Otherwise it will hinder–rather than free–me. Can’t have that happen.

    Rely on E-mail to Communicate – Often, people will talk to me about a review on Twitter or ask me for a favor on Facebook. While I’m happy to oblige and help out where I can, because we’re all just slogs here, I feel this is also contributing to my information overload. To be clear: it’s not that I feel anyone is doing anything wrong, this may be part of my desire to be connected and never take a break.

    E-mail is more manageable for me because of the way that I organize it. So, for this 100 days I’m opting to use that as my primary form of internet communication again.

What’s freaking me out a little, is that on the internet? A hundred days is a long, long time. If seven years on the internet take place for every one year in real life, then this experience will be the equivalent of two and a half online years of reduced interaction. I have absolutely no idea what, if any, effect this will have on my online reputation or presence. I’m a little worried that I’m going to fall back into obscurity, since I’ve made several new personal and professional connections through social media, but the only way to know for sure is to experiment. So, I guess the appropriate thing to say is… Wish me luck!

The 100 days begins on Monday, April 4th, 2011 and ends on Wednesday, July 13th, 2011.

Like Zombies? Short Stories? Contest for New Anthology!

Hey everyone,

Just wanted to let you know that The Zombie Feed is running a contest to celebrate the release of The Zombie Feed, Volume 1. You may recall I posted the Table of Contents and the ability for you to pre-order a signed copy; well, now’s your chance to win a free book to add to your library.

Contest ends on Thursday, March 10th and it’s really easy to enter. Just visit the link below and ask a question for your chance to win!

Ask a Question, Win The Zombie Feed Volume 1

Listen to My Interview with Darker Days Podcast

If you’ve been following my work, you probably recall White Wolf Publishing released Scenes of the Embrace earlier this month. Just recently, Mike Andryuk interviewed me for the sixteenth episode of his podcast called Darker Days.

One of the things we talked about, was how Scenes of the Embrace, which was geared toward Vampire: the Requiem, differed from the 2005 release of The Giovanni Chronicles I: The Last Supper for Vampire: the Masquerade. Admittedly, the question threw me for a loop because I wasn’t sure how the two related. In my product, we developed a toolkit for Storytellers where an Embrace may or may not occur. It’s not an adventure, but a collection of scenes. Last Supper was a very specific storyline which fit within Vampire: the Masquerade, a game more heavily focused on metaplot than Vampire: the Requiem.

Mind you, I thought his questions about Vampire: the Masquerade were interesting. From my perspective, the two game lines are very different. Not only do they have separate themes, but they’re also developed and managed in unique ways. After talking to Mike I can see how a fan might be interested in exploring both lines. I’m just happy to help promote the product, because I enjoyed writing about so many different types of embraces; the transformation from human to vampire is a very powerful moment indeed.

Mike also brought up Devil’s Night, which is a free download on FlamesRising.com. One of the things I like about the new World of Darkness, is the ability to play a mortal character who doesn’t understand all the horrors around her. I thought it was really neat to hear Mike talk about the main character, Gabriella, the way I hoped players and fans would.

If you get the chance, you can listen to the episode via the embedded player below or by visiting this link. To discuss it, hop on over to the Darker Days Facebook page.

Enjoy!

Do Good Deeds. Submit a Story for Australia

Hi,

Just wanted to pop in today to mention that due to the massive flooding in Australia an editor has put together a charity anthology. To read more about what happened in Australia, check out my post on the Apex Book Company blog.

The fantasy and science fiction community has been affected by this flood. A charity anthology with one hundred stories is being put together as we speak by native Aussie Jodi Cleghorn to benefit Queensland. Apex Book Company has published stories by other authors living in Australia; we have not been able to confirm whether or not they’re in the middle of this, but our hearts go out to them anyway. Many of you may have recently traveled to Australia for conventions and may have met an author or editor affected by the flood, too. — SOURCE: Australia Flood Relief: Reaching Out to Friends Across the Sea

The details for this charity anthology have been posted in a press release. You can read that on FlamesRising.com.

100 Stories for Queensland is headed by Brisbane resident and co-owner of eMergent Publishing, Jodi Cleghorn, and UK author, Trevor Belshaw. The management team is made up of Maureen Vincent-Northam, David W Robinson and Nick Daws who all worked on the Haiti and Pakistan anthologies with McQueen. They are assisted by a growing band of 20 volunteer readers and editors from across the globe. McQueen is working behind the scenes, organising the audio book and podcasts in conjunction with UK author and podcaster Em Newman. — SOURCE: 100 Stories for Queensland: Writers across the world rally for flood victims

The deadline for submissions is January 31st. While they are asking for uplifting stories, the length is only 500 words. I hope you’ll consider donating your stories to this fundraiser.

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