Don’t Give Up

The following message is dedicated to any writer who has ever felt discouraged and depressed.

Hey, you! Listen up. Yeah, you. Why the long face? Oh, I get it. You’re depressed because either:

a) you don’t have any readers
b) your book isn’t selling
c) you haven’t been published
d) your peers are surpassing you
e) you have no idea how you’re going to make ends meet
f) you’re frustrated as hell with the publishing industry
g) your work keeps getting rejected
h) your contracts aren’t coming through

Yeah, me too. I’ve been there. What? Your situation is more depressing than that? No kidding! So it’s:

a) you’ve been plagiarized
b) your work has been pirated
c) your frustrated as hell with e-books
d) you don’t want to sell books, you just want to write
e) you want to pull your hair out because contracts are too effing frustrating
f) you’re not getting paid for what you’re worth
g) you hear the words “online marketing” and you want to vomit
h) none of the above but something as equally annoying

Oh, I’m right there with you. I’ve been in all of those places, too.

No, I may not have the same experiences as you do. I’m not any best-sellers’ list that you’ve heard of and I haven’t been published through a traditional publisher yet. Though, I have several publications under my belt and I have collaborated on dozens of projects, some of which I had to either remain anonymous on or will never see the light of day. Regardless of where you are in your career, we do share something in coming. They’re called feelings. I’ve gone through a lot and will probably go through more as I continue writing. Quite frankly, almost every author does.

What’s that? This doesn’t apply to you? Well, then you’re damn lucky. Most — if not all — of the authors I’ve ever talked to go through highs and lows. If you ever wonder why authors toot their own horn, it’s often a misguided attempt to either consciously or unconsciously fend off that sinking feeling that their work doesn’t matter.

I say, “Screw that.” Your work does matter. Does it suck that you have fewer readers than the number of calories in a McDonald’s Big Mac? Is it terrible that your book sold fewer copies than the distribution amount of your local free newspaper?

Let me ask you a different question: Did you like what you wrote? No, really. Do you like yourself “as” an author? Did you do the best damn job you could ever do and you’re happy with the results?

Then why should you care about anyone else is doing? You cannot control whether or not people are going to like your book after it is published. You can only pour your efforts into the work before you submit it, and even then one editor’s bane is another editor’s treasure.

Regardless of how happy you are with your own work, it’s your relationship with the words on the page that matters the most. If you’re happy with your writing, why does it matter what anyone else thinks? Keep in mind, I am talking about reality here. Sometimes stories do need a little help from an editor or a critique group. That’s what they’re there for.

Now, I know many of you need to eat and you can’t live off of unpaid manuscripts. I’m right there with you. That’s why I have a day job (and a very good one at that). That’s my choice. What choices have you made? Can you live with those decisions?

Well, if you can’t — then make a different choice. If you can, suck it up and get back to that computer! Your next story will not get written if you keep whining about how bad things are. Channel that energy into your characters and turn that frustration into a work of art.

After all, this is why we are writers. We live to tell a story. The business side of it adds a layer of confusion, frustration, joy and (hopefully) a monetary reward for telling those stories, but in the long run that’s neither here nor there. We are storytellers.

So I’m asking you to suck it up. Put aside your worries and tell your damn story. After you’re done with that one — tell another one!

I know it sucks and I know how heartbreaking the business side can be. But don’t give up. Just don’t. Forget about how many readers you have now and think about the disappointed readers you might have some day. In this business, anything can happen. You just keep on telling those stories and worry about the rest later.

If you read this post and felt inspired to write, I ask that you either leave a comment or write your own blog post to help other writers who are discouraged and need a little motivation. We’ve all been there. You never know, one day we might need a little positive vibeage, too.

Why Piracy Might Just Be “Black-and-White”

Thumbprint | Georgie C | Sxc.huThe subject of “piracy” seems to pop up on my radar every now and then. Since this is an issue I deal with directly, I thought I’d chime in with some of my thoughts on the subject.

I feel that the topic is fairly complex, because many of the arguments I’ve been reading online don’t address piracy directly. Rather, the articles seem to talk “around” the issue by trying to determine either “why” piracy is occurring or justify “why” content should be freely shared and distributed. So, for starters, I’d like to pose the question, “Why is piracy so confusing to define?”

Say I go into a brick-and-mortar store and I find the coolest pair of socks that I simply have to have. Whether or not I “should” steal the pair of socks isn’t the issue nor is it open to debate. What matters is what the law states. If, according to the law, I take that pair of socks and don’t pay for them, then I am breaking the law. With digital piracy, some people do not believe that downloading a product is the same thing as stealing because pirates are taking a “copy” of the physical product and the product is not removed from a website. However, just like there are laws that define what stealing is, there are also laws surrounding illegal downloads. Read Piracy: Online and On the Street via RIAA.com as just one example. For the purpose of this post, when I refer to piracy, I’m referring to the situation when someone downloads or shares an electronic product illegally, either for their own purposes or with the intent to distribute.

Unfortunately, the arguments that advocate piracy are not only convoluted, they are downright frustrating to people like me. I feel that people standing up on the “pro-piracy” platform are demanding free content and cheap prices in addition to unlimited electronic distribution. For whatever reason, it’s become some sort of revolutionary cry to “teach” businesses what’s what by taking something that normally requires payment. Do illegal downloads make businesses sit up and listen? Sure they do, which is why there’s a few piracy crack-downs that are in development as we speak. Already, some of the telecoms are negotiating with different businesses to block internet access based on piracy — and that’s just the tip of the iceberg. While the law has not been able to keep up with the rapid changes in technology, the courts are working on it.

It’s no secret people are unhappy with the way that businesses, like the RIAA, are handling pricing and copyright in this digital age. Are copyright laws outdated? Yes. Do businesses need to adjust to the times? Absolutely. Are the laws challenging to understand? Yep. However, engaging in piracy and/or justifying illegal downloads is not a good solution, in part because “piracy” and “copyright reform” are really two, separate subjects that are being addressed in two, different worlds. Think of it this way: How is “I take without asking.” different from “What rights do I have to take?” If you don’t like the way the laws are now, then get involved! Contact your local representatives or join the appropriate advocacy group and help bring about positive changes.

Part of the reason why I have strong opinions on this subject is because piracy threatens the livelihood of the people who create the content you’re downloading illegally. Songwriters, artists, authors and others are directly affected by rampant online distribution of illegal content because of the way that they are getting paid. (If you want to see an interesting graphic, check out How Much do Music Artists Earn Online?.)

If an artist doesn’t get paid, then they can’t afford to keep creating their works. Remember, most artists (writers, musicians, etc.) get paid differently than people with full-time salaries. They often get paid by the download rather than by the hour. Do the math on that. Say an artist makes a ten percent royalty rate on a $4.99 product. Fifty cents may not seem like much to you, but it adds up quickly. The more people download a product illegally, the less money an artist makes, which means that they’ll have to work even harder to make up the difference. Most artists I know work well over forty hours a week just to be able to make ends meet.

As part of this discussion, I’d like to mention that William Aicher has written a book entitled Starving the Artist: How the Internet Culture of “Free” Threatens to Exterminate the Creative Class, and What Can Be Done to Save It. In the interest of full disclosure, I work on his team at Musicnotes, Inc. This work was not written as an off-handed anecdote, but from a business-minded individual that sees how the popular ideal of “free” threatens an artist’s ability to provide for themselves in order to keep creating. Also, I have seen the numbers and have heard horror stories from other artists that are directly affected by digital piracy. All in all, it is not pretty.

Of course, I can’t talk about piracy without briefly mentioning my thoughts on “free” products. Let me be extraordinarily clear on this: I believe that the topic of “free” is yet another conversation. For extra credit, check out my posts about Free, Freemies and the Undervaluation of Goods and Services, My Stance on Writing for Free and Puking Content, Plagiarism and Too Much Free.

In the end, I believe that it’s unfortunate that a lack of consumer education is affecting an author’s, artist’s and musician’s ability to do what they love to do in the way that they know how to do it. It is way too easy to point a finger and say that an artist is being “too greedy” or have long, sordid discussions about how the system is broken. The current system is the way things are right now, and that’s the one that we’re all trying to work with. Until things change, perhaps we can all push philosophy aside and simply abide by the rules.

Reading a Novel on the iPad

Last weekend we headed down to Chicago for a road trip and I had the chance to sit back and read a full-length novel on the iPad. The experience was pretty interesting, because this was a case where I was simply reading for pleasure.

What I Liked

I enjoyed being able to make the font larger and smaller and change the typeface. For whatever reason, I felt that the larger the text was, the easier the book was to read. I also liked that the book automatically re-calculated the number of pages depending upon whether I held it landscape or portrait, too. I could easily see where I was in the book and how far I had to go. When I needed to pause because I was doing something else, the book automatically opened to where I left off.

The battery life was great, though. I had the iPad on for about 3 hours and I never had an interruption in the actual reading experience.

What I didn’t Like

Just like most vampires, direct sunlight really killed the experience for me. Also, the iPad screen had a nice consistent page-turning smudge from where I was flipping through pages. Yes, I could have “double-tapped” to turn the page, but I preferred actual page turning to that. The screen really made an impact, because it smudged so easily any time the light hit it the wrong way I started to feel like I need to keep cleaning the screen.

The Verdict?

I would use the iPad to view digital comics, because I feel that they actually render better on the device than in print. (You can download free comics and check them out for yourself through DriveThruComics.com.) For trade paperbacks and other books, I would probably use the iPad in a pinch or plan on using it on a trip if I needed to bring several books with me.

My Thoughts on the iPad

I have never been an early adopter of new technology. In fact, I just went through the excruciating process of upgrading some of our hardware to fit the times. So, when I had the opportunity to check out my SO’s new iPad to see what the fuss was all about, I couldn’t pass up the opportunity. At the very least I wanted to get a feel for how this shiny toy would hold up against my netbook.

First? I can’t really make a hard comparison between my netbook and an iPad, because I feel that they are two different tools meant for two different uses. A netbook is a fully-functional (fully-compatible) mini-laptop that is perfect for writing on-the-go, traveling, etc. and the one I purchased was $350. An iPad is an electronic media device designed for the general public (a.k.a. the “non” technologically savvy) to watch movies, read electronic books and digital comics, share photos, listen to music and participate in popular social networking sites. This tool, which again I feel was designed more for media consumption, has a base price of $499. While the iPad can be much more than a fun tool to interact with digital media, I feel that this is its primary function.

My biggest complaint about the iPad is that it doesn’t come as a plug-and-play sort of a tool. If you want to do more with it, you will need to customize it. This particular WiFi model only has a 32G hard drive, no webcam and doesn’t have any ability to connect to other devices via USB. The touch screen keypad isn’t made with writing in mind, because the buttons force you to hunt-and-peck for the characters that you want. (Not to mention, not all of the characters are exposed on the one screen, so putting in complicated passwords was an exercise in insanity.) Again, here you would have to purchase the extended keyboard and the case in order to use it like you would a regular computer. I feel that the case is outrageously expensive at $40, however I do like the design because it allows you to stand or hold the iPad in any number of ways.

In terms of accessing digital media, not everything will work on the iPad. First, the iPad doesn’t support Flash. If you don’t think this is a big deal, try browsing the web without it. Several websites had big, gaping holes in them because Flash didn’t work in the browser. Additionally, not every website works on a Safari mobile browser.

As I mentioned earlier, I really feel that this is a good device for people that aren’t technologically-savvy because everything that you would ever want to access for electronic media is available at the touch of a button. The iBookstore is really slick and I enjoyed reading some of the free downloads to try it out. The Table of Contents in the free, public domain books from Project Gutenberg are all hyperlinked and there’s a nice status bar at the bottom. Probably one of the best features, is that you actually “turn” the digital page so it feels like a real book. Depending upon how you hold the iPad, the book turns to face you so you can either read one page or two at a time.

Digital comics look amazing on the iPad. You can re-size the art with your fingers and scroll with ease; it’s definitely a new way to appreciate comics. Movies also look pretty cool, but here’s where you start to get into additional application mode.

The applications are organized in a way that will help you find what you’re looking for pretty easily. Applications can either be free or paid; I feel that they will be a vital part of the iPad experience, because developers might figure out a different way to use the iPad’s core functionality. Just as one example, the Sketchpad HD app allows you to use the iPad as a drawing tool. The preview displays four different kinds of paper, including graph paper, and looks like it would be pretty awesome for students to have on hand. If I was in college, I’d totally consider getting one just so I wouldn’t have to haul around all kinds of notebooks and textbooks.

All in all, I feel that the iPad has a definite market, but that market is more for the user who wants a device to experience digital media in new ways. Will it replace my work computer? Absolutely not. Would I consider buying an iPad? For me, I want to wait and see what new apps are around the corner that fit my lifestyle to justify the $499 minimum price tag.

Emotional Connection and Writing

Last weekend at my writer’s group, we were discussing how necessary it is to develop an emotional connection with the reader through your work. In fact, a strong emotional connection between the reader and the character can translate to a best-selling book that many of us might not think is all that “good.” It can also translate to the proverbial nerd rage when someone doesn’t like the same book, character, movie, game or comic that someone else love with all their heart.

Those common emotional experiences can range from love to hate and everything in between. They can also range from unhealthy experiences to empowering ones, too. To understand what my characters are going through, I sometimes use a technique that I call “method writing.” This technique helps me get into the mind of the character; sometimes, I try to write the character’s mindset before I write about them so I understand their voice. (If you’re interested, you can read about how that process works for the character of Mahochepi in my e-book THE QUEEN OF CROWS.)

However, in my mind “how” we as people deal with emotions is not the same as “what” we are all experiencing. Take death and grieving for example. Although the experience of grief has been well documented and described in stages, the actions we take may be different from one another because we are different people. One person may grieve by getting rid of old photographs; another may grieve by looking through them or putting together a scrapbook.

I feel that this is what makes us, and subsequently our characters, all unique. Sure, there will be similarities, but how we deal with our emotions is never precisely the same from one character (or one person) to another. My job as a writer is to explore the common emotions and express it in a way that reaches a common level of understanding. In some cases, especially within the realm of genre fiction, it can be difficult because the character might be experiencing something that we, as people in the real world, have yet to experience on a broad scale. (Cybernetics, anyone?)

Often, to reach the heart of my characters I use music as a way to feel what they might be feeling. Music, for me, is a very powerful medium that acts as my emotional barometer. To that end, my music tastes vary widely, and I often listen to music I don’t normally like because I feel it fits the character I’m writing about.

Perhaps this is why the genre of romance is so popular and why there are so many reader expectations surrounding it. If you stop to think about it, that pretty much makes sense because in a romance — the focus is on the relationship. If you strip out the setting, in many cases the relationship can stand on its own two feet. Love, sex, heartache, etc. are common experiences that we all share.

When was the last time a book, movie or comic touched you on an emotional level? Do you remember how it made you feel?

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