Top 10 Misconceptions about Writers

Like many artistic professions, writers often encounter challenges as we pursue our careers. It seems as if every time I touch base with another writer we all seem to be facing the same, exact issues at one point or another in our lives. One of my friends joked that we should all have punch cards to mark off these trouble spots. What are they? Well, if you’re a writer, too, you’ll probably laugh (or cry) when you read this list of the top ten misconceptions other people have about writers.

    1. Anyone can be a writer – Everyone has the ability to learn how to write, but that isn’t the same thing as learning how to be someone who specializes in writing. Often, this misconception pops up because writing is probably “the” lowest cost and most accessible art form that’s out there. Yes, there is such a thing as natural talent and whatnot, but when you learn how to be a writer, you’ll quickly learn that putting words down on paper is simply one component of what you need to do.

    2. Writers get paid too much – Sadly, in some areas writers are getting paid less than they did over 100 years ago. Often, writers are not only asked to write for free, but they’re often asked to do this as a favor or as an expectation. The truth is, most professional writers typically work an ungodly amount of hours because writing is a time-intensive activity. When you add up everything that we’re required to do on top of writing, in most cases we lose money. On the flipside, there’s also some writers who think that offering free work will somehow benefit them in the long run. While there’s a time and place for publishing a free article or story, writers who don’t expect payment for their work can’t make a career out of what they’re doing. There’s a big difference between writing as a hobby and writing professionally.

    3. Writers are machines – I can’t think of one professional writer that I’ve talked to that hasn’t encountered this misconception. Simply put, a writer can’t just sit down at a computer and type every single minute of every single day and produce a publishable work. Sometimes, we need to research and visit cute, kitten sites to allow our minds to mull over what we’re working on. The more flexibility and creativity we have when we’re working on a project, the better the “output” will be. Why? Well, this comes back to the fact that writing isn’t just about putting the words down on a page. It’s about writing that first draft, sure, but then it’s about taking a break and revisiting those drafts after we’ve had a chance to move on to something else. Writers rarely get something right on the first try.

    4. Writers never improve – Learning how to write is a lot like learning how to draw. Regardless of how much natural talent you have, the more you do it, the better you’ll get at it. Writers always have room for improvement, but often the areas that they can improve in vary depending on what they’re focusing on. A good example is my recent experiences with short fiction. I wrote a couple of stories that sucked. They got rejected, which was the right call. So, because I have other opportunities on that front, I realized I needed to practice writing and editing more short stories so they didn’t suck. Does a few rejected stories mean that I’m a crappy writer? No. It just means that I wrote crappy stories. Big difference between the two.

    5. Writers can’t write “X” if they write “Y” – In order to be a writer who puts food on the table, we are required to have a high amount of flexibility. That means that we often seek out publishing opportunities in areas that we aren’t familiar with. Then, we read and research a particular subject so we can write about it. That old adage “write what you know” doesn’t necessary apply to a modern writer. Yes, it’s a lot easier to write what you know, but that doesn’t necessarily mean that a writer “can’t” write something if they’re not familiar with it. It just takes them more time to do it.

    6. Writers write for themselves – Most professional writers do not write because they want to see their name in print; they write because that is the career they chose. Truly, the major difference between a professional and an amateur writer is who they’re writing “for.” Pros understand that, in order to continue to get paid for our efforts, we need to reach readers who may be interested in following their work. The larger the publishing house (or the more reputable the publication), the better the chance we have of reaching more eyeballs.

    7. Writers should edit while they write – There is nothing more damaging to a writer than introducing an element of insecurity during their writing process. Editing while we write adds in a layer of second-guessing that hurts whatever we’re working on. The best thing a writer can do is to either a) ask the right questions and research everything they need to before they write the first draft or b) write the first draft and then go through a longer revision process. Again, just because a writer needs to change terms or the message of what they’re writing doesn’t mean that we’re terrible writers. It means that we’re working on delivering a “product” (e.g. article, novel, short story, essay, etc.) that meets an editor’s or reader’s expectations.

    8. Writers “only” write – Writers also: market, research, budget, invoice, query, negotiate, revise, read, promote, sell, learn, sign, wait, follow-up, think, schedule, print, mail, design, network, meet, critique, etc. Every skill that I just listed is part and parcel to having a professional writing career. While some skills take more time than others to complete, writing is not just about sitting down at a computer and tap, tapping away. Additionally, these activities are part of the reason why it’s important for writers to get paid for what we do. Otherwise, we wouldn’t be able to afford to write in the first place.

    9. Writers should offer free help to anyone who asks for it – Hey, if that were true, then a doctor I know should give me a free check up anytime I ask for it. Maybe I should ask one of my artist friends for a free image anytime I want one. No? Well, then why would a professional writer offer free help to anyone who asks for it? Writing, for us, is a career. It’s not something that we do when we get around to it. This is our job. While I do believe in helping new writers, I also think there is a difference between providing a free service and offering some advice. If you spend a few minutes to search for them, you can find a ton of other places online that offer great insight for a budding writer.

    10. Writers have issues and are very needy – To the first part of that statement, everyone has issues. To the second part, writers do need something. We need feedback. In many cases, our writing process doesn’t occur in a bubble. Typically, we collaborate with an editor, reader or publisher. A good editor will open a dialog with a writer and have a conversation about their writing from a conceptual standpoint. What do they like? What don’t they like? Good editors also understand that there’s a big difference between voice, style, grammar, punctuation, etc. An editor who gets hung up on the placement of a comma or a typo probably isn’t going to help you with your work. On the flipside, an editor who only focuses on what they love about your work probably won’t help you either. While a balance of positive and negative works best, it’s better to have constructive feedback that will help you remain enthusiastic about your writing than to get overly critical comments.

What’s really interesting to me about this list, is that it always seems to be really complicated when we have to either explain, retort or debunk these misconceptions. It’s nigh impossible not to sound whiny or defensive. After all, our work is our reputation and even though we don’t always want to admit it — a professional writer will guard their work with their life.

What about you? Do you have any experiences or links to share?

You Don’t Have to “Do” Anything…Other Than Write

One of the things that I find so frustrating with advice for writers, is the sheer volume of task lists, buzzwords, and blog posts that infiltrate every corner of the space telling writers what they “should” be doing. You need to have a writer’s platform. You need to offer your work for free. You need to learn online marketing. You need to become an internet celebrity. You need to listen to other internet celebrities because what they say is “gospel” truth. You need to be careful what you say or who you say it to. You need to write in this genre because that’s what will sell.

For every piece of writing advice out there, including the bits that you’ll find on my blog, there are other articles that will say the exact opposite. Occasionally, you’ll even read other posts that will offer you data to support why one idea is better than another. These articles, including the ones that I write, are designed to be topical and timely and have a budding writer’s best interests at heart. Regardless of the content, advice is either based on a specific set of experiences or one person’s world view. The reality of this advice, is that it isn’t always good for what you need to do because it’s not tailored to you or your goals.

I can definitely understand how the sheer volume of writing and career advice may be very confusing for “new” authors. Back in college, there was a lot less noise for me because the writing programs I attended were a lot more heavily focused on the craft of writing as opposed to the business of writing. While the perfect course structure may include both, if you want to be a writer you can’t get away from…writing.

All the marketing, writing, publishing advice that’s out there won’t help you if you aren’t not sitting down in front of a computer or notebook and working out not only what you want to write, but how. That “what you want to write” may take the form of an autobiography or a short story, but that’s for you to figure out. No one else can tell you how to be a writer; while advice can help the only thing you absolutely must do if you want to be a writer is write, write, write and then write some more. Like anything in life, the more you write, the better you’ll get at it. Though even then, you will make mistakes. Everyone does.

The message I’m trying to express here, is that you really don’t have to “do” anything when it comes to developing your writing career, because you can’t have a career unless you know how to write in the first place. Once you learn that, then (and only then, in my humble opinion) you can sculpt, mold and formulate what type of a career that you want to have.

In other words, get back to writing!

E-Books Are Not Liquid Gold

In a fit of…well…angst, last week I had made a retort to “yet another” discussion about e-books about how they weren’t liquid gold. Well, you know the part about how sarcasm doesn’t translate well online? Yeah, the end result of a snarky comment is this rant. Which, no doubt, may either cause you to weep, shout “Amen!” or have you shaking your heads in disagreement. Fortunately, I am not the one to blame for said rant. To find out the mystery culprit, you’ll have to read to the bottom of the post.

On with the rant.

Before I get into why e-books are not liquid gold, let me say that it is nigh impossible to cover all of the myths surrounding e-books as a product in this post. I have heard (and read) everything from how e-books are cheaper to produce and/or sell than traditional print editions, how authors are greedy and should take less money so the price goes down, how they should be free to distribute because they don’t cost anything to make, etc. and so forth.

Do you know what are you paying for when you purchase an e-book? You are paying for your desired content through a specific means of delivery – in this case, digital. Books are priced differently because all books do not cost the same to produce, sell or create. Of course, you might know that all authors are not paid the same, but did you know that e-books don’t cost the same to produce either? Same goes for e-books and audiobooks. Audiobooks are priced differently because you’re paying for the story and the performance of it in an audio format. E-books are priced differently because you’re paying for obtaining the story in a digital format that is compatible with your intended device. Every retailer that offers you the ability to purchase or download an e-book also gets their cut, and that’s part of the price as well.

What pisses me off the most about e-books is that all of a sudden people think that they’re new and will somehow instantaneously change the entire publishing industry. They are, most certainly, not “new.” As soon as people could, e-books were produced via word processing software like Microsoft Word. Then, when PDFs first came out, people were using those to produce e-books that you could read on your laptop or your computer. The company OneBookShelf has been around for years, providing people with games, stories and comics in a digital format through DriveThruComics, DriveThruRPG, DriveThruHorror and other sites. OneBookShelf is interesting, because in many ways, the hobby games industry is way ahead of the curve for digital publishing, because they’ve gone through their fair share of changes before the rest of the industry has had a chance to. Keep in mind, that hobby games can be more expensive to produce than a novel, because of the time and resources involved. Advances in digital publishing have helped facilitate the access and availability of digital hobby games for gamers so OneBookShelf been able to thrive. Why? Because the demand was there and the readers were also receptive to it. The same, truly, can be said of e-books now. Regardless of what the publishers are doing, the popularity of e-books will only exist as long as the demand is there. Even so, it will take a long time before e-books replace print books because the market is not this giant, single-celled organism that moves at one pace. That “market” is comprised of individuals and their unique buying habits; not every person that’s out there will automatically “only” buy e-books without picking up a print copy. We’re not there yet.

Why then, are people freaking out about e-books by saying that they’re easy money or that they threaten to topple the industry? Well, again, for the first time we are not only seeing a change happen, we are able to discuss those changes as they happen. Right now, that short-term mentality is reigning supreme through topical articles and through a bit of a rebellious attitude toward the publishing industry, which is often viewed as this impenetrable monolith. Personally? I don’t care about the short-term. I care about the long-term. Conventional wisdom tells me that it is way too early to ascertain how e-books will affect the industry, because the market — not the publishers or people’s personal opinions — will decide how and when and where things will shake out. I’ve weighed in on e-books before and have also shown you how to calculate the cost of an e-book based on my experiences as well. However, to calm your fears, I’d like to point out another little piece of technology and how it revolutionized the way that books were produced and distributed. It’s called “the printing press.” Do you honestly think that when the printing press was invented that the effect was instantaneously? If you mean by twenty or thirty years, then yes.

The reason why e-books are not liquid gold, is because readers are not performing a bait-and-switch with their formats and many expect the e-books to be free. “Free” is not truly “free,” especially when it comes to books that take a long time to write, edit and produce in their final form. It’s so easy to point to a digital file and say “Hey, that’s easy and cost-effective to produce. Just throw it up on a site and charge ninety-nine cents and watch the profits roll right in. No physical materials required means they should be next to nothing, right?” Only, very few conversations about e-books I’ve read discuss the value of that product: the story.

If you were willing to pay in upwards of twenty-five for a hardcover edition of your favorite novel, what would you pay for that same story in a digital format? What would you pay to read a new story by an author you’ve never read before? If your answer is “zero,” perhaps you might want to consider why that might be and what would cause you to pay money for an e-book. After all, you are an important part of the market that will decide the shape of things to come.

Anyway, the culprit of said rant is none other than author Tobias Buckell who’s written books like “Halo: The Cole Protocol” and “Crystal Rain.” Good books, so go read them. Or, if you’re looking for a different e-book experience, check out “The Queen of Crows” which was written by yours truly.

Now that the shameless promotions are over with, I want to hear what you think. What do you have to say on the subject? Any coherent thoughts out there?

Inside VioletWar.com

One of the things that I’m always conscientious about is providing an image that is both professional and creative at the same time. While I enjoy writing and sharing posts with you on my blog, it’s not the same as what I write for VioletWar.com. There, I can be more personal because people are investing their time to read more about my fiction efforts and my process for writing stories set in that world. Here, I’ve often taken a more professional approach and, in many ways, that has paid off a thousand fold.

Still, this blog is just one aspect of “me.” VioletWar.com is another. There, not only have I been able to share more news about THE QUEEN OF CROWS and what reviews it has gotten, but I’ve also recently started a journal there. It’s been a really fun creative outlet for me and something that supports my efforts for that world. At the same time, it’s beginning to get more personal than I had expected. I’m pretty private, but for whatever reason I’m having a blast just being me.

So, if you’re mildly curious about the world I have built and the novel I’ve been working on, that’s the place to drop by and explore. If not, stay tuned because I’ll definitely be blogging more about topical subjects that are meaningful to both you and me.

Thanks for reading!

A Noise Detox

If you’ve been following my blog, you may have read some of my posts about writing and depression. One of the things I talk about there, is that writing is a solitary activity that is part and parcel to a writer’s ability to focus on what they’re doing. As you know, depression can be caused by too much solitary activity. However, I’ve found that whatever angsty “thing” I just went through, it was caused by the precise opposite to that — too much connectivity.

For me, I need those moments of solitary confinement even when I’m not writing because it allows my head to be clear. For a while there, it seemed like my mind was in a literal fog and I couldn’t figure out why. Worse, I felt that my writing was suffering as well. What was once fun and enjoyable turned into a literal chore. I choked up. I had stage fright. I over-analyzed and psychoanalyzed every verb, every comma, every first word of every, single sentence and I couldn’t figure out why.

ShhhhhSo I started to detach during my off time and I turned to my favorite video games instead. Slowly, but surely, I figured out what was happening to me. (Thank you, Square Enix.) I had been so inundated with a constant stream of noise that I felt I had to either read (or respond to) each individual pixel of internet dirt. As a result, I didn’t have the chance to focus on “me” or “my work.” I was too busy focusing on things that were triggering my emotions. Mind you, several things had already pushed me in that “I’m frustrated” direction already. The noise did not help.

Noise, for me, is probably different than it is for you. I have certain topics that send me off into an instantaneous rant, turning me into an ugly troll. With warts. And smelly feet. I have other topics that are like little race cars. When I see them, I feel compelled to stick on the top of their hoods and ride them all the way through to the end. Mind you, none of the subjects I’m talking to you about here have anything to do with work or my writing. And that, truly, was the reason why I needed to disconnect. The constant bombardment of ads, news, factoids, gossip, etc. throughout my day forced me to face myself in the mirror and ask myself what I could ignore. What could I stop worrying about. What did I need to listen to versus what did I feel obligated to listen to.

For the past, few weeks I’ve been going through what I call a “noise detox.” I’ve turned off and tuned out of almost everything, only to embrace the great outdoors and hobbies I’ve abandoned. This experience has been wonderful and exhilarating. It has also opened my eyes to what truly matters to me, and I can tell you that the “noise” does not. (The same goes for drama, in general. Although, I like drama when it’s performed on the stage.)

Instead of giving in to the noise and its destructive tendencies, I am traveling sideways and shielding myself with sunlight and oxygen and my imagination. Otherwise, I can’t hear the music of my words. I don’t know if any of you have experienced something similar, but this has definitely been one of those times where I have learned my lesson well.

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