[New Release] Cabal RPG

Cabal RPG

You have an agenda.

Together, you control a powerful organisation; it might be a company, a conspiracy, cult or corporation. You control vast resources over a global powerbase. You employ teams of specialists with very particular skill-sets to protect your secrets.

Your agenda might be anything, world domination, the defence of the planet, vast wealth or just unlimited rice pudding.

What you are willing to do to achieve those ends, well, that’s up to you…

Cabal is a stand alone RPG, designed by Andrew Peregrine, where the players control a single character together,and set out to advance its goals and power. Funded by Kickstarter, the Cabal RPG is now available on DriveThruRPG.com. This collaborative project includes art and factions by several designers, including myself. Hope you enjoy the conspiracy!

Redwing’s Gambit Sale, Novella Excerpt, and Design Essays

Today, I am pleased to announce that Redwing’s Gambit, which takes place in the fun, romping Bulldogs! universe, is on sale through Saturday, May 13th at DriveThruFiction.com. Written in 2012, this novella is an earlier look at my storytelling — perfect if you’re waiting for my upcoming stories to come out! When Redwing’s Gambit first debuted, I wrote notes on the story’s and setting’s design, and am re-sharing those here in addition to one of my favorite scenes.

If you’re interested, here’s a link to Redwing’s Gambit on DriveThruFiction.com. The story is formatted in ePub and PDF; you receive both when you order the file. Additionally, I pulled some links to design essays I wrote about the novella for you, too!

  • Constructing Redwing’s Gambit: Research and Background Part 1 of 5 – The first question I asked myself was not about what story I wanted to write, but how I wanted to present the tale in such a way that felt more like Fate than d20. In my mind, the Fate rules really emphasizes and focuses on relationships or the ties that connect and bind the characters to one another.
  • Constructing Redwing’s Gambit: Characters and Treatment – Part 2 of 5 – The treatment evolved from the original concept for a number of reasons. At the time, I thought the story required one perspective, but that didn’t turn out to be the case. One mystery in a closed environment was “okay,” but it wasn’t enough for the readers to get a feel of what makes Bulldogs! a cool science fiction setting. Initially, my thinking was that an observant character could really dig into and tell a tale, highlighting the different aspects of the alien races and the worlds. Boy, was that ever wrong! While that technique sounds good, it didn’t work when I started writing it because I bored myself going on and on and on…
  • Constructing Redwing’s Gambit: Structure and Plot – Part 3 of 5 – After I had an approved story and treatment, I went to work writing the first and second draft. My inclination was not to offer one perspective, but to offer several. A mystery just did not work from an observer’s point-of-view because I had a lot of characters and they’re all not physically located in the same place on the ship. The logistics of having Dan sneak around like a ninja were not only boring — but creepy and Clueish. So, I added in other perspectives straight off the bat. I knew multiple viewpoints (there are three) was outside of how I normally write, but I felt it was necessary for a good story.
  • Constructing Redwing’s Gambit: Revisions and Cut Text – Part 4 of 5 – I have about 7 to 10,000 words of cut text that I removed from Redwing’s Gambit during the revisions process. Once I erased Dan Daget’s character, I restructured the flow of the different perspectives and ensured that they read correctly. The biggest reason for the revisions, however, was to reduce any extraneous worldbuilding or plot hooks to keep the pace strong. With this being a novella, that meant minimizing certain aspects and also changing the strength of the relationship between Violet and the security chief to one of hidden, but mutual, feelings for one another. This first bit was altered because the spying robots was less important than Xax or Edna’s kidnapping.

Redwing’s Gambit Excerpt

One of the characters that readers really enjoyed was an angry teddy bear/mercenary named “Fang”. This short scene is Fang’s debut! The angry bear is a stowaway on board the ship, and he’s facing off against a feline robot.


Deep within the bowels of the cruiser, a small bear-like creature crawled through a grimy pipe and dropped down through a narrow opening. He wiggled his way down, down, down until he landed on the floor of a sooty vent.

The animal bared his teeth, hunting for signs of the enemy, but could not see his prey.

Turning a corner, he came face-to-face with a cat. It nudged its cool body against him and purred.

The mechanical noise grated his ears. It wasn’t a cat, it was cat-like. A robo-cat. And it was colored a bizarre shade. Watered down red. No, pink. An albino cat?

“Out of my way,” the creature hissed. “You will move for Fang.”

A clicking sound. Then, a high-pitched squeal. An antenna poked out of the metallic cat’s mouth, its red tip blinked urgently.

“Move. Now.”

The small bear stepped forward, but the robo-cat would not budge.

“Stupid cat.” Fang grabbed the robo-cat’s antenna and yanked back hard. The pink robot yelped in pain, its head spun faster and faster until a thin plume of smoke escaped from its pointy ears. Crouching low, Fang swept his foot and knocked the cat on its back. Then, the creature pulled out the robo-cat’s leg and beat its rosy body with it until he was satisfied.

It was an empty victory.

Redwing’s Gambit is available at DriveThruFiction.com.

Friendly Friday: Transformers and Dan Khanna

Soundwave Avatar

There’s something about Transformers that I find uniquely satisfying. Is it the big giant robots beating the crap out of each other? Maaaaayyyyyybe. Is it the hilarious way that Megatron would shut down Starscream‘s whining with a single glare? Or the fact that there were ultra-rare female Transformers who showed up in the movie but were thought to be extinct? Okay, maybe not so much. (Side note: I want that story. Did Megatron kill them all?) Starscream was definitely true to his name. But Soundwave, hoo… He was the shizzit. I mean, seriously, you have a boom box Transformer with a chest that can open and close to release other Transformers. That is legendary, right there.

Thanks to a re-issue of the original, I did manage to get my hands on this bad boy.

Soundwave

Fast forward to New York Comic Con many years later… I wasn’t able to attend, but for our anniversary my SO brought home several retro Transformers prints beautifully illustrated by Dan Khanna. As it turns out Dan has worked on Transformers for some time, and is a frequent guest at comic book conventions who can often be found in artist alley. Dan is one of the artists that I refer to as “hoofing it”, because he’s always on the road with a sketchbook in hand and another booth to set up. I honestly don’t know how he manages to live in NYC, travel as much as he does, and draw so beautifully. So awesome! Thanks to his busy travel schedule, I did manage to catch up with Dan the following year at C2E2 and enjoyed a “geek out” moment.

According to the Transformers Wiki (Life goals!), Dan started out as a fan artist before he was hired to work on the official line. This, right here, is a testament to what I keep preaching: fans become pros all the damn time. There’s no such thing as “just a fan”, and I’m very happy that Dan’s talent continues to be recognized and appreciated.

Known primarily for his work with Transformers, Dan has also worked as a colorist/illustrator on comics for IDW and Titan UK; he has also designed packaging for Hasbro toys as well. In fact, you could say that Dan is…more than meets the eye. (Insert groan here.) I’m hoping someone will tap his creativity for the sequel to Pacific Rim. Can you imagine Dan illustrating big, giant Jaegers beating the crap out of each other for a second time? Yes, yes I can.

For more about Dan and his work, you can visit www.dantheartguy.com or Dan the Art Guy on Deviant Art page.

    Mood: I forgot what day it is.
    Caffeinated Beverages Consumed: Eh… I admit NOTHING!
    Work-Out Minutes Logged Yesterday: Holy spring cleaning, Batman!
    In My Ears: The soft, soothing bubbles of our fish tank.
    Game Last Played: Final Fantasy X-2
    Book Last Read: Kim Stanley Robinson’s Aurora
    Movie/TV Show Last Viewed: ONCE: Upon a Time
    Latest Artistic Project: Make Art Not War 2017 Challenge and Rules
    Latest Releases: In Volo’s Wake for Dungeons & Dragons 5th Edition, Dark Ears Companion, and Kobold Guide to Gamemastering.
    Current State of Projects: Read my latest project update. New project update coming in May.



Mark Your Calendar for WisCon

I am pleased to announce that my next convention will be WisCon at the end of May. The guests of honor are Amal El-Mohtar and Kelly Sue DeConnick. I am participating and moderating several panels, and I am anxious to hear what this year’s stellar speakers have to say. Hope to see you at the show!

Tropes In SF Novels, Comics, and Video Games
Sat, 1:00–2:15 pm Location: Conference 1
Kate M Lansky (M), Jake Casella, Monica Valentinelli
SF is a genre that crosses media — novels, poetry, comics, video games, movies, and TV. How do SF stories differ from medium to medium? What tropes does each medium use and why? What kinds of stories are in vogue in each medium? Are there SF tropes that are better used in novels? In games? And why?

Portraying Resistance: Fiction Media and News Media
Sun, 10:00–11:15 am Location: Assembly
Monica Valentinelli (M), Nino Cipri, Ian K. Hagemann
How are resistance movements portrayed in speculative fiction? While some forms of fiction glamorize resistance movements (Star Wars comes to mind) there is a wide gap between this and how news media portrays, for example, the Ferguson movement. Are the only safe resistances fictional (or historical) ones? How do we get from “riots” to “heroic uprisings”? Fictional resistances are also able to gloss over the problematic details of committee meetings, arguments between members, lack of funds, trying to feed crowds, unequal division of labor, and trying to come to consensus. Are there fictional resistances that deal with these details and with sexism, racism, homophobia? Can we learn from fiction how to portray real resistance movements as heroic?

Why Is “Casual” a Dirty Word in Gaming?
Sun, 1:00–2:15 pm Location: University C
Monica Valentinelli (M), Katherine Cross, Ann Lemay, Katherine Olson (Kayjayoh), Beth Plutchak, Katie Sapede
Video gaming is set to become a 99.6 billion dollar industry and is cemented into the mainstream. Why are “casual gamers” still a hated group? Why do we need to separate them from “hard-core gamers”? Let’s explore why some in the gaming community hold on tightly to excluding “casual gamers.”

Worldbuilding Through Profanity
Sun, 4:00–5:15 pm Location: Caucus
Monica Valentinelli (M), Dylan Edwards, Benjamin Rosenbaum
Swearing is something that comes naturally to people. Swearing is also highly cultural. ‘Damn!’ only works if a culture has the concept of damnation. Short versus long invocations, it all goes together. How do you construct a swearing culture for a new people? How does it vary by social class? Let’s find out.

Registration is capped, so if you’re interested in attending be sure to visit the WisCon website.

[New Release] Geist: The Sin-Eater’s Foreboding Lands for Dark Eras

Today, I am pleased to announce that the Dark Eras Companion, the second massive volume filled with alternate history settings for the Chronicles of Darkness, is now available. In Dark Eras, I wrote “Doubting Souls” for Hunter: The Vigil. For the companion, I was one of the writers who contributed to “Foreboding Lands”. Set in the world of Geist: The Sin-Eaters, the chapter takes place in and around Roanoke Island approximately a hundred years earlier.

“Foreboding Lands” was a fan-requested era that was funded during the original Kickstarter for Geist: The Sin-Eaters. Instead of fixating on the Lost Colony of Roanoke, we did end up taking a different and broader direction tapping into the history of the period and the core aspect of Geist: ghosts. I found that this chapter was more demanding to write for than the previous one for several reasons, and hope that my nuanced and complex presentation of the subject is something you’ll dig.

If you’re interested in “Foreboding Lands”, you can pick up a copy of the Dark Eras Companion filled with multiple, haunted settings at DriveThruRPG.com.

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