Codex Entry: A Letter from an Up and Coming Inquisitor

To the esteemed design team at Bioware and the publishing team at Electronic Arts:

I wish that time had permitted me to acquire Dragon Age: Inquisition when it was first released, but I was away on travel in lands currently unknown to natives of Ferelden, Tevinter, and Orlais. Sadly, as circumstances would have it, my schedule did not permit me to devote the required resources to play it. And, as the year went on, a series of misfortunes had further, negative effects on my ability to venture into the lands of archdemons and the Fade, magisters and the Imperium, mages and templars.

This has since been rectified, thanks to the gift I received from my partner in life and love during our Christmas (which is your Feast Day). I had just finished traveling through Ferelden for the first time as a mage, in Dragon Age: Origins and Awakening, and the events that occurred were fresh in my mind. While I did not revisit Kirkwall (I have been the Champion, but never the political leader as apparently the choices I made have never led to a full takeover of that fine city), I had played it before and had certain expectations for Dragon Age: Inquisition.

I am happy to report that Dragon Age: Inquisition has exceeded all of my expectations. I am a storyteller and designer of amusements by trade, and I was greatly surprised by the complexity and various levels of interaction with the characters–not to mention the love letters to the fans scattered throughout Ferelden and beyond. The reappearance of minor personages such as Dagda was a welcome sight, and the ability to immerse myself into stories littered behind every soldier, rock, cabin, and cave has allowed me to set aside my gloomy outlook in these dark days of winter and revel in my own curiosity as I travel throughout Thedas collecting shards, bottles, and (of course), herbs such as spindleweed and rashvine.

Though the darkspawn are a familiar, if not bleak, sight–the tales of the Black City, the stories the citizens of Ferelden, Antiva, Orlais, and Tevinterand are the beating of the Inquisition and I cannot go enough of them. Sadly, other stories and amusements require my time, for gold speaks louder than love, but had I the opportunity I would gladly negotiate the possibility of spinning yarns in this epic era. Truly, while it may seem I am a traveling merchant seeking to trade–there is no higher compliment I can give. For, any story I play, read, or watch that draws me in to tell stories of my own? To me, such an occurrence is the mark of a masterful storytelling team. And, while no work of art is without its flaws, I wish to thank you for your artistry, your willingness to listen to feedback, and your attention to detail. This is, by far, one of the best and most noteworthy experiences I have had in a long time.

May your futures be filled with new stories of your own, and your blades be sharp.

Yours,

The Lady Inquisitor

On Hunter the Vigil 2nd Edition Open Development

Following my announcement from last year that I am the developer for Hunter the Vigil 2nd Edition which features the Slasher Chronicle, I uploaded my first OpenDevelopment post titled: Hunter 2E OpenDev and Ashwood Abbey and the second one which is Tier Two Compacts and Globalization.

There are a lot of approaches to development, and managing this line will be very, very different from the Firefly RPG for the simple reason that the licensing and setting restrictions aren’t based on a TV show. Hunter: the Vigil was (and is) a widely popular game where you play a human hunter–for all the good, bad, and ugly that entails–fighting the supernatural. The line, which has had continued support since the corebook’s debut eight or nine years ago, will be getting a new edition and this is why I’m on board. In a way, I’m very lucky because I’m focused on enhancements as opposed to creating something from scratch. Since other second edition books for the Chronicles of Darkness have already been released, I have a lot of pre-existing material and systems to draw from to create a new edition–which is great. However, there’s a lot of tweaks I want to make, but to help me make better decisions I am using Open Development as a way to get feedback prior to writing the outline for the corebook.

This, too, is a huge departure from Firefly, as setting restrictions for Hunter aren’t overly specific, nor are they related to the show so I have more flexibility to start with within the conceit of hunting monsters. Here, I’m building a new edition off a hugely strong foundation, and I get the opportunity to have fan feedback because of the relationship between Onyx Path Publishing and Paradox Entertainment. This is a pretty big deal to me, because though as a developer I have to weigh decisions for all kinds of players (meaning I need to avoid one-true-way-isms and focus more on the toolkit approach that Hunter originated with), I can hear from fans what their reasoning is behind what they like about the game. And, most importantly, how certain decisions impact play at their tables as opposed to what they’re gleaning from reading the text itself.

It’ll be interesting to see how OpenDev shakes out, once I get to the rules portion of the conversation, but for now I’m tightly focused on clarifying what those enhancements might be (e.g. tiered play, slashers, etc.) to set some bones down before proceeding. This will also enable me to see where the holes are before proceeding with an open call for writers, especially since I’m keen on lifting the game to a truly global level.

If you’re interested in reading OpenDev, I’ll link to them in my project updates or you can follow along by visiting the Onyx Path website at www.theonyxpath.com.

Progress Report #9: A Storm Has Passed

Last time in Project #8, I updated you with news about the Firefly RPG, including several awards the line won, and mentioned several balls in the air following a Twitter/FB sabbatical in September. As of today, I’m caught up on everything (e-mails, included), and am heavy on the pitch phase, but I’ve got some updates for you that follow after some words about the intersection between research and reality.

This year, I wrote a lot of alternative history and that required loads of research, ranging from the Inquisition to Western colonization and Mussolini-era’s Italy. The key refrain, over and over, that kept coming up was the difference in motivations and values between oppressor and the oppressed, colonists and natives, religious and less devout. This translates, of course, into the way that history is written, but also in the way that it’s perceived. There’s a lot of knowledge that has been obscured for many reasons, in part because the past is not always reexamined to incorporate a different perspective, especially if that alternate view represents a people (or in this case, several peoples) that were hurt, murdered, victimized.

Why go this deeply into the past? Roleplaying games, in particular, provide players with the unique opportunity to examine the past in the context of a game. In my experience, gamers are excellent, fantastic readers who will devour anything you put in front of them, and take that a step further by reading more on the subject. By addressing these topics within the confinement of the space provided, I know that other players and designers, such as myself, will dive into the past and learn more about it. And, while a lot of players might not make a correlation between past and present, especially since this research is put through the lens of alternate history, the material and the game can be both challenging and compelling because it makes villains, heroes, and the people caught in between all that more real.

In addition to roleplaying games, I find historical research is a fantastic way to dig deeper into worldbuilding. Though problematic tropes can be avoided, I feel that the only way to do that is to read multiple perspectives. For example, you might have seen the heated discussions about the Washington Redskins. The word “redskin”, however, has deep historical, cultural, significance that you can read about here. Reading how the past has led to the present, gives writers a deeper sense of the semantic and literal significance of words, and I feel this is why it’s so important. Writing stories and designing games can be entertaining, sure, but I feel the future of media isn’t to repeat the past for the sake of repeating it, especially since we have faster access to more materials to do deeper research than ever before.

Games

Speaking of gaming, I have some fantastic updates for you. As of today, all of my current gaming commitments are complete, but there are more in my future.

  • World of Darkness: Dark Eras – Wrote the Hunter: the Vigil supplement for this book for 1690s Colonial America. My role in this project is now done, and it’s off in the ether of post-editing and development.
  • Vampire the Masquerade: Ghouls – My role on this, too, is now complete, and is in post-editing and development.
  • Conan RPG – I finished my contribution to the corebook, and stepped down as the project manager. Jason Durall has taken my place.
  • Codex Infernus – The Kickstarter was successful, and my role is now done.
  • World of Darkness: Dark Eras II – Contributed to the Geist: the Sin-Eaters supplement for the 1580s-90s Roanoke Colony. The chapter has since been sent off to editing. Of all the things I wrote this past year, this was the most challenging for me.


Comics

I have been talking about how challenging comics is. So I’m going to continue mentioning what I’m doing to make this a reality.

  • Starry Alpha – Last time, I was working on outlines for an established property. Unfortunately, the line has been canceled so this fell through.
  • Pinefresh Theta – Pitch, full script, and sample sketches sent off to an anthology. I was rejected in favor of a different author, who wrote a similar story.
  • Sparkle Mega – Full pitch is still in the works for a short-term series. The pitch window hasn’t re-opened yet, so this got put on hold.
  • Red Sigma – In addition to pitching, I am going the small press publishing route for a collection. Still in planning stage.


Fiction

Phew! So many updates here… I got through half of NaNoWriMo (e.g. 25K) before I had to stop in favor of zombie projects and proofing that ate up a lot of time. The writing sprints greatly impacted my creativity, and the story got out of control so I had to rein it back in. There’s other stuff not listed here, too, but as 2016 progresses it’ll make more sense.

  • Upside Down: Inverted Tropes in Storytelling – Core of the anthology is done, and we’re working through open submissions.
  • Red Byte – Revisions put on hold.
  • Pratchett on Acid – 25K into the new novel, and it is…creative? Inventive? Heh, heh

  • Non-Fiction

    No new movement, here, but I wanted to remind you what I’m working on and what’s coming out.

    • Worldbuilding Book – I’m working with my agent to hone my pitches for interested publishers. Pretty excited about this!
    • For Exposure: The Life and Times of a Small Press Publisher – A book of essays written by Jason Sizemore, the publisher for Apex Book Company as part of the company’s 10 year celebration. I have written a satirical essay which is titled “The Case of the Mysterious Splatter.” It has footnotes. Many, many footnotes. It’s now available.
    • The Gorramn Shiniest Dictionary in the ‘Verse – This language guide for the Firefly TV show will be out this Spring from Titan Books. You can pre-order it now. Awesome!

    Thus endeth the latest update!

    Update on Upside Down: Inverted Tropes in Storytelling

    Hello dear readers!

    Today, I’d like to update you on the collection I’m editing with Jaym Gates. Our anthology, which is titled Upside Down: Inverted Tropes in Storytelling, is now open for submissions. The guidelines are listed on the Apex Book Company blog, and the deadline for submissions is December 31, 2015.

    If you’d like to read more about this anthology, here are some links for you to read:

    At the moment, we are working on wrapping up the details for the core of this collection ahead of the Kickstarter. We want to make sure that all of the details are taken care of before launch, and we’re super-excited! Until next time…

    Regarding NaNoWriMo

    NaNoWriMo Avatar

    Every year, NaNoWriMo comes and goes, and for the past several years I haven’t been able to make it work. Part of this is due to the ever-fluctuating changes in my freelancing schedule, part of it is due to the fact that I wasn’t ready to dive into plotting a novel for submission on spec, and the last bit (of course) is any number of excuses.

    This year, I’m doing it because I’m ready. I know it might sound anti-climatic or even lame, but I had a lot to work through, personally, to get to this point. Now, it’s finally time. I’m participating this year, with gusto, and have the main story and its twists plotted out. It’s been unpacking, very slowly, in my brain through dreams and other mind pops. I can hear the narrator whispering, and I can see the characters; both of these things usually precedes a deluge of words for me. I’m excited about all my novels, but this story in particular is important because it’s a new step in a longer journey.

    I’m off to a slow start, due to work, but as a full-time writer I feel it’s definitely time to get novels done and out the door to my agent. Yesterday, I tracked my word count and I wrote 5K and revised 8K for non-NaNo projects, but I know I can do the 50K this year, because I’ve produced that much word count before in less time. Just not in November.

    Special thanks to my research crew (Eryn H.) and new friends (Jacqueline B., Crystal W.) for last minute help. I hope to do them proud.

    If you’re so inclined, please feel free to friend me on NaNoWriMo. Let’s do this together!

      Mood: LET’S DO THIS THANG
      Caffeinated Beverages Consumed: Starbucks DoubleShot Energy
      Work-Out Minutes Logged Yesterday: I… Wow. Yeah, nothing.
      In My Ears: Tron soundtrack
      Game Last Played: Kingdom Rush: Frontiers
      Book Last Read: Howl’s Moving Castle. Starting on the sequel!
      Movie/TV Show Last Viewed: Once Upon a Time. OH, DARK SWAN!
      Latest Artistic Project: STILL EDITING.
      Latest Fiction/Comic Release: Gods, Memes, and Monsters
      Latest Game Release: Dread Names, Red List for Vampire: the Masquerade and Ghosts in the Black for the Firefly RPG.
      Current State of Projects: Read my latest project update and My Departure from the Conan RPG.


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