Angel’s Fred and Post-Traumatic Stress

Spike and Giles... Together at Last

I’m in the middle of a re-watch for Whedon’s Angel, and I’m now on the last season where our plucky crew has taken the bait and are manning Wolfram and Hart. There’s a lot of great nuggets to draw inspiration from both as a writer and a fan of Whedon’s work, in particular the fact that this series, despite being on the air from 1999 to 2004, is still relevant and innovative for 2015. (And the show’s been off the air for more than a decade, so in my mind it’s safe to discuss it without fear of spoilers.)

While Fred (Winifred Burkle’s) character arc ends terribly and tragically, there is something remarkable about her introduction. Her evolution as a character deals with overcoming her traumatic and terrible situation after being sucked into a hell dimension. Py’lea introduced a tough topic, human slavery, which was something that the writers could address because their owners were demons. Breaking down Fred’s story is interesting, because she’s an escaped slave who finds coping mechanisms to deal with what she’s experienced, to survive.

What I was very interested in, is what happened to her when she returned to L.A. She didn’t magically “get better” and rush into her parent’s arms, the writers enhanced her character by allowing her to show a range of emotions, some of which were caused by post-traumatic stress. To me, this is brilliant writing because her character arc doesn’t keep progressing linearly until she’s totally moved on and one hundred percent better. She has bouts where she tries something new to get past the hurt, but then regresses before dealing with that specific issues. Each problem is different from the last, and she doesn’t necessarily move forward for each action. For example, she tries to go to Caritas, and the place is attacked. But, instead of cowering in a corner, she eventually stands up and grabs a crossbow. She has a sense of survival and that echoes through the way she deals with her trauma.

Her need to survive is something that is part of her nature, and that’s what pulls her through all of her bad experiences. Not because she’s physically stronger, but because she’s strong-willed and this is who she is. Her desire for self-preservation is what distinguishes her and sets her apart from the way other victims are often portrayed in television and other forms of media. When bad things happen to real people? We don’t give up and stand aside for someone else to save us, and Fred’s character reflects that truth.

Despite being enslaved, Fred escapes and finds a way to survive though she’s stuck in a demon world. Despite finding out the truth that she’d been betrayed by a mentor, she doesn’t freeze up with fear and let her professor victimize her again. She wants to do something about it, and that desire to channel her anger by turning the tables on him, a natural reaction, is the source of an argument between her and then-boyfriend Gunn, who wound up removing her free will to protect her from the consequences of her terrible choice. There are other, subtle clues written into her character as well in the way that Fred’s represented by Amy Acker, too, that brings deeper aspects forth. Like how jumpy she is, the way she walks and hunches her shoulders, her outbursts and clenched fists. It’s brilliant all around, and there’s even a slight shift in her character after Angel’s spell to remove all memories of Connor, too.

I’m hoping that by sharing these types of examples with you, you’ll be inspired to take a closer look at some of your favorite characters for inspiration either to appreciate them or learn from them. Lastly, if you’re not familiar with it, here’s how the NIMH defines post-traumatic disorder.

    Mood: I’d like winter to be over now. Thanks!
    Caffeinated Beverages Consumed: I’m so over-caffeinated I need to cut it out today completely.
    Work-Out Minutes Logged Yesterday: A walk. Remarkably. In the cold.
    In My Ears: Coffee is percolating, but I’m resisting it!
    Game Last Played: Ni-No Kuni Wrath of the White Witch
    Book Last Read: The History of Magic by Eliphas Levi
    Movie Last Viewed: Sabotage
    Latest Artistic Project: Ch-ch-ch-ch-chainmaille!
    Latest Fiction/Comic Release: Last Man Zombie Standing.
    Latest Game Release: Things Don’t Go Smooth
    What I’m Working On: Primarily tie-in games work, original comics, and novels.


Missing Heroines, Romantic Tension and Doctor Who

Yesterday, I wrote a post about how we need to dig deeper to find a heroic heart. It’s timely, since I’m anxiously awaiting the debut of a few short stories out in the lands of publishing. It’s also relevant for another reason: just got back from WisCon and finished watching Season 5 of Doctor Who.

It’s really difficult for me to read books without tearing apart their structure; it’s becoming more challenging to do that with television shows and movies, too. I can relate to the many sides of the writer’s struggle — fulfilling the requirements of whatever format the story is in, watching screenplays get tweaked according to the producer’s needs, meeting IP guidelines.

However… It still blows my mind that here it is — 2011 — and we still struggle with painting “alternative” heroes: people of color, gay characters and, in many cases, strong non-bitchy women. In my article, I talked about how physical descriptions shouldn’t limit a writer, because the hero/heroine’s journey is about overcoming a limitation of some sort. If anything, I don’t understand why we don’t see more diversity in a heroic character, not less.

Enter my frustration with the female characters in Season 5 of Doctor Who. The Doctor is an iconic hero: like Superman, he doesn’t change. To understand him, to know him, I try to identify with the characters around him. I cannot, in any way shape or form, relate to Amy Pond. The actress herself isn’t the challenge; I don’t believe her character’s story. I cannot buy that she has fallen into extreme hero worship, where the Doctor has become her own personal Jesus, yet she still managed to fall in love with Rory. She’s a character that is only important because of the things that happen around her. She has absolutely no personal power of her own, regardless of what the Doctor says.

What I felt made the David Tennant era so believable, was the sharp contrast in the moments when he was having fun and the moments when he was totally and utterly alone. Donna Noble was my favorite companion, because there was no “love” there. They were best friends. I understood that she couldn’t physically handle the power she took into her system, and I was okay with that.

I feel that romance is Season 5’s biggest weakness. The minute the Doctor’s Companion starts to go down that path of “My Doctor,” it all falls apart because we know — as the audience — there is absolutely no chance in hell of that happening. There’s no romantic tension. There’s no conflict. There’s a very powerful, very suave, unattainable man that no one — with the possible exception of River Song in this season — can ever be with. Even in the episode where the Doctor is a lodger, he still gets the near-immediate attention of Sophie and the infatuation builds, leaving the “couch potato” out in the cold. I don’t buy it when Sophie flips the switch when Craig professes his love for her either.

I know it sounds like I’m being harsh, but I enjoy the show immensely and recognize how difficult it might be to write this series. The Doctor is a problematic character to write into a romance, because there is a sort of meta-storytelling tactic going on in each episode. We know he’ll never fall in love, so why introduce love interests in the first place? Romantic tension would be something that could be done, provided we believe there’s a chance — even a glimmer of hope — that he might end up in the happily never after with another character.

The happily never after is something I feel the show could take risks with, but it doesn’t. The continuous storyline about the crack in Amy’s wall is really where Season 5 begins and ends. I just wish there was more to emotionally relate to without being pulled out of the story completely. I still like and enjoy Doctor Who, but there’s something missing from Season 5: a heroine I can relate to.




Monica Valentinelli >

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