How to Infuse your Creativity by Researching Tropes, Myths and Beliefs

As promised, I’d like to give you all a little exercise that my fantasy author friends might appreciate and immediately recognize. This is an example of how I do my research, and I’m offering it to you to put more questions in your mind than answers, to challenge not only what you write—but how.

For those of you who are familiar with research methods, you will notice that some of the steps are out of order. For my own work and curiosity, it has become necessary to formulate my hypothesis after I read my source material to reduce personal slant and remain objective.

Research Exercise: Avoiding a Common Trope in Your Setting

Step One: Identify your Intent

Create a dark-skinned race of characters that do not adhere to the common fantasy trope: all dark-skinned characters are primitive, barbaric, or villainous.

Step Two: Recognize Potential Sources of the Belief or Trope

Specific to fantasy there might be: Dungeons and Dragons, Tolkien’s the Lord of the Rings, or Conan the Barbarian. In this area, I would also recognize the need to read history or other nonfiction source material.

Step Three: Investigate a Major Influence for the Belief or Trope

Tolkien is often considered the father of fantasy and, in fact, heavily influenced early Dungeons and Dragons.

Step Four: Create a List of Author Influences

In this bucket, I sometimes either write down or note a variety of things about the author. For example: When was the book written? Where did the author hail from? How did the author create the trope or belief? Was the trope intentional? Did the writer have any prevalent or outspoken beliefs?

Step Five: Formulate your Opinion

Here is where you, the author, come into play. In this really basic example, you’ve done your homework to pinpoint what you believe is the reason why this trope was created and where it came from. Knowing those two things can really help you engineer other ways to avoid the trope or realistically portray a belief.

Step Six: Read Others’ Opinions

When appropriate, it might be a good idea to read other people’s opinions when appropriate. Literary criticism might be a great resource in this example or even commentaries from other writers. This step ends up becoming more important if you’re researching the origin of Halloween, for example, or myths and legends that cross time, cultures or countries.

Step Seven: Return to Your Original Goal

As the last step in the process, I recommend circling back to your goal and writing one paragraph to complete your thoughts. Sometimes, the act of writing down how you’d like to infuse your story with that different perspective can make all the difference.

What process do you use to marry research elements with your work? How do you manage collective thoughts and creativity into your projects? If you have other methods you use, feel free to share! Happy scribing!

How the Media You Surround Yourself With May Affect Your Writing

Take a moment to think about what information sources you have access to. On a very basic level, you gather information from people or media created by people. Now, if we stop to think about where that media is coming from it’s usually from a group of people focused on a particular belief or a person who is regurgitating their interpretation of that belief. Beliefs that underlie information may (or may not) be transparent; try cross-referencing news sources sometime to see what I’m talking about.

Most people are shaped by the world around them, and there is no greater influence than what information they absorb. If someone only gets their insight into society from a select group of sources that has, at their core, the same set of beliefs, then really that person is only getting one view of the world. Great examples of this concept can often be found by researching the origin of superstitions, holidays, and modern myths: Did you know that frightening gargoyles were once created on the sides of buildings to scare away evil spirits and protect people from harm?

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The Other Side of Author’s Intent: The Writer’s World

In college, it wasn’t unusual to get involved in discussions about how important “author’s intent” was to a work. My “fondest” memory was of a professor who was convinced that it didn’t matter that Mary Shelley wrote Frankenstein on a dare; what mattered is that she was supposedly influenced by obstetrics manuals of the period.

Needless to say, I was pretty vocal in that class.

Now, years later I can see the other side to the argument about writer’s intent and that is, that the world the author lives in can shape a writer’s work as well. This can also determine how a reader responds to the work as well—especially those who heavily influenced by propaganda, reviews or “official” opinions.

Conscientious writers who understand both the business side of writers and the creative process typically have a singular intent and that is—to sell books. I’ll often read comments or hear other experienced writers say, “Well, duh! Monica, of course they want to sell books!” I may sound like I’m beating a tired drum, but consumers, reporters, fans, and those who romanticize what writing is all about really don’t. Grand Theft Auto, for example, typically draws a lot of controversy but here’s the thing about that: Don’t you think that the intent of that game is to create a buzz to sell more product?
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Don’t be Afraid to Write like Crap

One morning, Little Miss Writer wakes up like she normally does. She gets out of bed, stretches her fingers, and gulps down a cup of coffee. After she’s had the chance to wake up, she sits down at her computer, and starts typing away on her assignment. All of a sudden, tiny microbes of self-doubt enter her bloodstream, carrying with them a slew of racing thoughts that range from “My career is over” to “I suck as a writer.” The strange part is, she can’t pinpoint anything different that happened that day, but she believes that something did.

When self-doubt enters a writer’s mind, we start to make assumptions about our market based on what we “think” will sell, stunting our creativity at times to fit a square peg into a round hole instead of branching out into uncharted territory. Truly, the only way to learn from your mistakes is to first make them, but if you’re afraid of making them then your writing suffers.

Personally, I suck at poetry. In fact, I would classify myself to be a rather crappy poet. I often write poetry, though, not to publish it but to experiment with the words and play around with how they sound.

What forms of writing are you uncomfortable with? When was the last time you wrote in that vein? While every writer is different, I feel that identifying and exploring your weaknesses are just as important as writing what you are good at. Sure, you may not be the best at writing children’s books or romantic short stories, but who cares? When was the last time you wrote just for yourself? If you haven’t done it lately, it can be a very freeing experience because you can set your own terms and play around with your words for fun.

On another note, I know there are different contests on the subject of writing a paragraph like crap or the crappiest one-liner but seriously? If you have to try to write like crap, you’re probably not writing like crap. Somehow you’ve adapted your writing style to a standard and—if you win—you were “the best” in that form.

In a world where words matter (both spoken and written), don’t we owe it to ourselves to write like crap? Sure, there’s a lot of crap already out there, but I’m not talking about publishing, I’m talking about delving into uncharted territory to exercise your mad skillz. Whether or not you show your crappy writing to anyone else is one thing, but for Shakespeare’s sake have fun with it. After all, if you don’t laugh at yourself and lighten up from time to time–who else is going to help kill those “self-doubt” microbes running around in your writer’s blood?

Happy writing! (Like crap! Er…)

“Prey” a Horror Fiction Podcast

I’m happy to report that a flash fiction piece I had written, entitled “Prey” will be published on http://pseudopod.org/ tomorrow. This piece was really fun to write; it is a Lovecraftian-horror scene written from the mind of a bird of prey. I had submitted it to Pseudopod months ago, after winning an Honorable Mention through a Neil Gaiman Mirrormask Competition hosted through http://www.futurefire.net.

It will be really cool to hear someone speak the piece, this will be the first time that my work will be acted out in a podcast.

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