Day 25: Face Yourself

One of the biggest lessons I’ve learned from going dark, is that there’s a lot I can learn by talking to other people about their experiences with social media. This time, that insight comes from Ann Voss Peterson who recently conducted our local writer’s workshop about characterization. Ann and I were talking afterward about social media, in part because she has co-written a thriller novel with J.A. Konrath entitled Flee and I was wondering what she was doing to promote it. We were talking about my 100 days experiment and I mentioned I’ve noticed a positive impact on my writing. She said something to the effect of: Well, of course. Because you wind up facing yourself.

Ever have one of those moments where everything starts swirling and you wind up in a scene from Mortal Kombat?

Yeah, okay. I did.

What does that mean? Face yourself. Shutting out social media means turning the mute button on two types of voices. First, you turn off other people’s voices that sing/yell/whisper across your screen. By doing so, though, you are automatically shutting off a second voice. YOURS. The one you use to interact with people on these tools. Which is not the same as your author’s voice, but a separate one. (And before you ask, I view blogging to be yet another voice.)

Just how profound is this? Well, I feel understanding what this means is crucial to self-promotion, time-management and good storytelling. After all, if you don’t have any words on the page, then you have nothing to revise. If you have nothing to rewrite, you have no manuscripts to polish. If you don’t have any finished manuscripts, then you don’t have any stories to submit or hand in for your deadline.

Sure, every writer is different. Some can write fast; others not so much. Still others have no problem pounding out the words, connecting with people, and making it all work. For me, though, I need to have a foundation. I have to figure out what time I need to process my work, to wrap my head around my story, article, etc. I need to listen to “the Monica voice.” To do that, to listen to that crazy girl, I had to tone down the number of voices and have a care to what she’s saying. The more voices I jam into my head, the less I can hear my gut instincts. My inner girl o’ awesome.

Is there some truth to this? That in order to be a better writer you need to face yourself?

For me? Yes, yes it is. Many other things have changed for me during this lights out period, because I wanted that silence to work on other goals. I feel like this simple phrase (“Face Yourself”) sums up not only why I needed to do this, but also solidifies what is happening all around me as well. More on that later!

About 100 Days: From April 4th to July 13th I’m turning the lights off on Facebook, Twitter and IMs for personal use. Read 100 Days: Turning off the Lights on Social Media for more information. You can also read the 100 Days post archive.

Day 22: A Video about the Value of Time Off

Today I’d like to share with you a video Wil Upchurch (Thank you, Wil!) had sent me in an e-mail. This talk was given by Stefan Sagmeister and discusses the value of time off. Every seven years he takes a one-year sabbatical to refresh and rejuvenate his creativity.

I really enjoyed the video not only because it resonates with my social media experiment now, but because there’s a lot of truth to what he’s saying. Constant production — whether it be words or art or whatever — takes its toll. Add deadlines on top of that or some other kind of pressure (e.g. marketing, promotion, social media, other people, etc.) and the quality can (and will) suffer.

Sometimes it’s hard to recognize when that quality takes a dive. Sometimes it’s difficult to understand why or to catch it before it does. In a way, this video reminds me of a mantra I’ve once heard: Americans live to work; Europeans work to live. Here, Stefan shows how the work can be more fulfilling if you take time off to pursue personal projects. Powerful stuff, because he’s not advocating that you stop doing whatever it is you love, but to redirect your talent into a different direction to help your baseline grow.

In my case, I’ve removed social media because I perceived its effects on me. Have I learned anything from this? On that “deep” personal level? I’m starting to. The reason why I am didn’t come from me, though. That insight came from another author and I’ll be writing about that later this week.

Take a minute and check out this video of Stefan Sagmeister: The Power of Time Off at TED.

Day 21 of 100: What I Miss about Social Media

The other day I ran into a friend at a coffee shop and, in an effort to schedule lunch, she had mentioned to catch her on Facebook. I mentioned to her my experiment, and we worked around it, but the interesting thing was that this led to a discussion about what social media meant to her.

Paper Chain in the Dark by hoefi at sxc.huBoth of us are authors and both of us are tired of people who use social media to heavily promote themselves. She uses Facebook primarily for the community-related aspects. Facebook has allowed her to connect with similar-minded authors. Since she’s of the same mind I am (e.g. meet people rather than opportunities) she gets a lot out of Facebook because the people there motivate and support her.

When I got offline initially, I talked about how I was inundated with noise and updates. What I’ve missed, though, is the community-related aspects. It’s strange, though, because I don’t really feel I have been using the tools to interact with a community. I used to. Back in the day I was on message boards, forums, LiveJournal, etc. But now? I’ve been using them to interact with individuals I already know, within the gaming and publishing communities, and meet new people. Is that the same thing? Not sure. Add a new element–readers or personal friends–on top of that, and the community gets a bit stranger, doesn’t it? Now there’s multiple communities as opposed to just one.

I don’t miss the noise, but I miss the people. Not sure if that makes any sense to you or not. To me, it’s telling me that some people get online to foster a community around themselves or their own work. I’m not that kind of an author and right now, that doesn’t make any sense. I’d rather take my cue from my readers as opposed to acting like author deity. (Although, I would make a rather smashing literary goddess. Wouldn’t you say? Hah, hah!) When I do get back online, I’m wondering if I should take a look at new opportunities to connect with a community as opposed to looking for new ways to share my thoughts or simply promote.

Day 17 of 100: Dust Bunnies in a Silent Cone

I’m a happy girl today. I’ve been looking for a way to legally watch Red Dwarf again for a while now and Netflix offers all nine seasons for streaming. So, yay! *bounce bounce*

And a tenth season! Double yay!

Since the episodes are super short, I can put them on in the background. “Appreciate what you’ve got. Because basically, I’m fantastic.”

This news counteracts the pain…the suffering…the millions of dust bunnies crying out in fear…

Yep. I’m in the middle of spring cleaning. Only it’s snowing outside. So I’m late Winter cleaning. Oh, and organizing. And planning. And planting.

Which, no doubt, requires looking things up. What to save. What to toss. How to follow directions.

Some of the more unusual things I’ve discovered, besides the pile of floppy disks I have no way of reading, is my fascination with particular objects I have to buy more than one of. Blank journal and small notepads are at the top of that list; pens and other unusual writing implements are right up there as well. Next comes the obligatory “What did I buy this for again?” With a look of confusion and wonderment.

I feel like I’ve been getting more done because on my writing breaks, instead of hopping on Twitter or Facebook for seconds at a time, I’m focusing for longer periods of time. Once I’m at a natural break, I can then attack my dust bunnies vigorously. I’ve even gone so far as to (shockingly) label boxes so I know what I organized. Other than the mountain of paperwork crawling up through the bowels of our house. Eesh. Paperwork. The worst part is that I know I have file folders lying around somewhere, I just can’t figure out where they are.

Now that I’ve been off social media for over two weeks, I can definitely say if I ever want a break from the noise, ten days is about the time when I stop feeling so inundated with information. Now that it’s been over two weeks, I feel like I’m in a cone of silence. Have no idea what’s going on–especially with some of my friends overseas–and feel like it’s impossible to find out without hopping back on. I can remember Twitter handles and Facebook identities, but not people’s websites.

When I read something people shared, I never paid attention to where I was reading the information, just what the content was. To me, that’s pretty significant. With all of this information being thrown at us, how much do we retain? What can we remember?

And more importantly, what should we remember? What’s missing?

Gencon 2011: DriveThruRPG Booth and Yours Truly

Hi everyone,

I have just confirmed I will be attending GenCon: Indy 2011. This year, I have been drafted volunteered to work the DriveThruRPG.com booth.

What’s that you say? But you thought DriveThru only offered e-books?

DriveThruRPGcom LogoThis year, DriveThruRPG is debuting the fruits of its print program at GenCon, working in tandem with White Wolf Publishing, who will have their own presence at the show. I’m not a hundred percent sure what the layout will look like; geometry was never my strong suit. I do know that yes, White Wolf will be there and yes, they’ll be selling books. Rumor has it there will be a print edition of the Vampire Translation Guide and an exclusive hardcover convention edition of the Exalted graphic novel. No word yet on the print edition of Paths of Storytelling, but I am crossing my fingers on that one.

In addition to DriveThru’s partnership with White Wolf, you can also buy/support games from a handful of awesome publishers. They are: Malhavoc Press, Necromancer Games, Nocturnal and Eden Studios.

Now, I know you may think I’m a little crazy, but it’s also my understanding that Ghosts of Albion and The Fear-Maker’s Promise for Changeling will be available IN PRINT at the DriveThru booth as well.

If you like to get your books signed, the one (the only) Monte Cook will be floating around along with several other freelancers, game designers, developers and persons extraordinaire.

Am I chained to the booth? Hah, hah. Is that even possible? Wait. Don’t answer that! I will be available for appointments and signings, but primarily I’ll be on the floor talking about why you should buy these publishers’ games. In all honesty, DriveThru is the reason why I’m able to come back to GenCon this year, so I’m going to do my best to work hard and have fun. If you want to get together with me at GenCon, feel free to either a) drop by the booth b) e-mail me ahead of time to set up an appointment or c) watch my blog for a space-y announcement.

That is all, game-lings.

Oh, before I go… If you have any questions about DriveThruRPG.com, their booth, White Wolf or anything I revealed in my post, please contact these companies directly. I’m merely trying to relay my role at GenCon this year. Once it gets a little closer to GenCon, I’m sure I’ll be able to reveal if there’s truth to the gossip.

Thank you!

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