The Hobbit An Unexpected Journey Review

The Hobbit Gandalf Avatar

I promised you a review of The Hobbit: An Unexpected Journey, so here it is! If you followed my blog last week, you know I spent a few days training for the midnight showing at our local Sundance theater. I bought the tickets COMPLETELY by accident; my brain misplaced the p.m. with a.m. So, there was a fair bit of juggling (and caffeination) involved to ensure that I’d be awake to drive at 3:30 a.m.

The theatre was packed. The lines jammed. There were three or four showings and all were mostly full. I, along with my fellow moviegoers, were caffeinated and totally psyched for this film. Other than a few cues of inappropriate laughter during the previews, all of which were shushed by the more somber folks around them, we were set. And then? It starts. A familiar song. A comfortable character — the version of Bilbo we’ve seen in the Lord of the Rings trilogy. A familiar face. It’s Frodo as we remember him in the beginning.

Pay attention. This scene is important, for this reveals Jackson’s intent. The Hobbit: An Unexpected Journey is a true movie prequel. The film (with all its 48 fps glory) comes first, before the book. The Hobbit is reference material, but this is NOT a tried and true mirror of what happened there. The reason why this is a trilogy, is because the story will deepen and darken as time goes on.

But it doesn’t begin that way. And for some, this is why it feels anti-climactic. The events take place 60 years before Fellowship. Sauron has not regained his power — he’s not even close yet. The Nazgul? Don’t exist in the same form. This movie is where it all begins — but it can’t start with the epic journey we know is coming. It has to start somewhere. The One Ring wasn’t found intentionally. It was a freak accident.

I feel that The Hobbit: An Unexpected Journey emphasizes what Middle Earth was like before the shadows crept in and took over a corner of the world. This is more high fantasy, more adventure, more day-to-day/hack-and-slash, goblins and orcs and convoluted threats shaped around loss. The real story here isn’t about the One Ring, though that will likely emerge as the films continue, this is about the dwarves, led by Thorin Oakenshield.

I loved the story as it was presented here and feel that we’ll see more “reveals” in true prequel fashion as the trilogy progresses. This is still Middle Earth, and still the same setting responsible for the birth of other fantasy stories, games, etc. Tried and true? No, this is not a direct translation. But I’m okay with that. After all, what movie is? This is still Tolkien; and while it may be accurate (e.g. pulling material from other sources) it’s simply not precise.

I’m not sure I’ll do the midnight showing for the second film, but I’d prefer to see it on the larger screen. It’s a satisfying adventure on its own; I’m curious to see how Jackson will progress the One Ring story arc through the next two films on top of that.

    Mood: Orc Smash!
    Caffeinated Beverages Consumed: At the moment? None.
    Work-Out Minutes Logged Yesterday: SNOWPOCALYPSE SHOVELING
    In My Ears: Buffy. Yep, she’s singing.
    Game Last Played: Dragon Age: Awakenings
    Movie Last Viewed: The Hobbit
    Latest Artistic Project: Holiday gifts
    Latest Release: “The Button” We Are Dust anthology

Announcing “We Are Dust” a New Apocalyptic Anthology Release

We Are Dust apocalyptic anthologyWhether or not you believe the world ends on Friday, I have good news for you! “We Are Dust” (an apocalyptic-themed anthology) was released yesterday! This end of the world collection of stories features my story titled “The Button,” which is a Lovecraftian-themed tale featuring a female nuclear physicist.

Download a copy of We Are Dust here.

“The Button” is loosely related to the Mythos and is written in first person. I also built out the world some to serve the character, the plot, and the theme. Creating new gods and writing about Romans was a lot of fun!

I sincerely hope you’ll enjoy this collection of fantastic stories. Forgive me if I got a little over-salesy… I’ve always wanted to tell people to read a story before the world ends — and now I have! The anthology is available in multiple formats for your Nook, Kindle, laptop and other devices.

Enjoy!!!

Swords and Dragon Gate

Big Giant Sword Fighting Avatar

Here it is, a week later, and I’m still in awe of Tsui Hark’s The Flying Swords of Dragon Gate. Shot in 3D, I streamed this on Netflix so I saw the 2D version. Jet Li lends his talents alongside a large cast (I’d recently seen Li in The Expendables 2). This is a wuxia film (e.g. martial arts heroes) with not one, but several adept masters (male and female) who rely on a fascinating array of weaponry.

The plot of The Flying Swords of Dragon Gate is written in a style which dovetails into an extended scene at Dragon Gate. The writing of these characters went well beyond Ang Lee’s Crouching Tiger, Hidden Dragon. This was written with more heroics, action, and inventive choreography — there’s a fight in a SANDSTORM — to blow the lid off the genre. Hands down, this movie had the best female action roles (that’s right, plural) in a non-hypersexualized manner that I’ve seen in a long, long time. There is meta-commentary on gender, but it’s integrated into the storytelling so it comes across as natural.

Between the visual effects, self-fracturing sword, treasure hunt, and… Yeah, I loved this addition to Tsui Hark’s collection of innovative films, and definitely need to find out if there’s American distribution for his classics.

Either that, or maybe I should learn Mandarin. Always a possibility!

    Mood: It’s a Thursday. GO THUNDER! AND LIGHTNING!
    Caffeinated Beverages Consumed: Well, I can always have more.
    Work-Out Minutes Logged Yesterday: The Gym.
    In My Ears: Unsustainable from The 2nd Law by Muse
    Game Last Played: Dragon Age: Awakenings
    Movie Last Viewed: The Hobbit
    Latest Artistic Project: Holiday presents
    Latest Release: “The Button” We Are Dust anthology

The Thirteen Is Thirteenluminous

13

It’s been a little over a month and a half now since I kicked off The Thirteen. By far, this was the smartest and best decision I have made all year for many reasons — some of which you’ll find out in 2013! Hee.

Comments that are coming through the group have provided me with immediate feedback on my writing style to hone in on how that’s defined by others. The word that has resonated the most has been “accessible.” (The second being “fresh.”) These terms are important to me; accessibility has been the goal of my writing style for as long as I can remember. Fresh is… Well, not precisely controllable. Some of that is just me and how I view fiction.

Feedback has included a nice cornucopia of comments. Some areas of fiction that don’t populate well in my drafts (Remember, I take no issue showing those. This isn’t bravery, this is the nuts-and-bolts of storytelling.) tend to bubble up later through revisions. These readers get to see the evolution of the storytelling on a deep level and their enthusiasm is fueling my own. I am VERY excited because this group provides a strong focus on the work itself — rather than ego management or frilly mannerisms or what have you. These folks are awesome!

And that, my dear Readers… Reality aside, there’s no better creative feeling than the one that originates from being happily married to your Work. The rest of the b.s. that comes with publishing — especially when dealing with other people’s insecurities — pales in comparison to that glorious emotion.

Tragedy Fuels

Hellboy Avatar

I don’t understand why murder happens. I guess I’ll never comprehend the need to take someone else’s life or harm another. There has to be a better way: a solution that doesn’t require violence. It must be hard to be in the military, never questioning orders, carrying out what must be done for safety’s reasons. It has to be even more difficult to be a police officer in this hour of non-stop media always pressing, pressing, pressing for an answer — even if that response is not accurate.

I don’t understand why we need to over-rationalize the assholes. Popularity seems to excuse the jerks while loneliness provides a justification to target villains. Sometimes? An asshole is just an asshole. Period. There is no answer for it other than that. I am tired of folks questioning the accuser saying: “Well, are you sure they were an asshole?” When are we going to start asking the assholes of world to change and tell the victims it wasn’t their fault. Do we really have to wait until violence happens to act? Is death the only way we can show that something is wrong?

I don’t understand why some find it necessary to bully their way through life, either. I especially don’t understand why anyone would dare to harm a child — any child — nor do I “get” the whole idea of exerting your life’s ways on another. Provided you are not harming anyone else, who cares if your hair is pink? Or your pants too short? Or your stripes too plaid? Oh, I’m not holier than thou. I joke about “bad fashion” because I love art so, so, so much. But clothing is the absolute least on my radar of “very important” things. Trust me.

I look at what happened on Friday, what happened all last week, and I have to seriously wonder why it’s even a question that we should arm civilians with more elaborate weaponry (and no training) than the police. Where did this come from? This need to find newer, easier ways to kill? To arm Joe Citizen and not require a background check? Even if Joe Citizen has a history of violence? Mental illness? Perhaps the questions we should be asking ourselves should be related to preventative diffusion: affordable health services, safer methods of restraint, and conflict resolution.

I take no issue with responsible gun control or ownership. I take zero issue with responsible hunting, with responsible protection, and with responsible living. But, as a humanist, I have no patience for the over-justification of abuse (domestic, animal, or not), the devaluation of life, and the easy access of tools that allow people to harm another.

I am appalled at the way the media handled this particular incident. I wanted to be a reporter when I grew up. (Also Indiana Jones, Amelia Earhart, Mozart, Marie Curie, and Shakespeare, but that’s another story for a more appropriate time.) The thrill of daily news, the investigation required — all that pissed away. The facts in this story have been so twisted and so ridiculously mishandled some of these people should either be fired or sued for libel. The wrong names were shared. The wrong pictures were offered. Worse, once again we are glorifying the murderer and not talking about the heroes — the everyday teachers — who risked their lives for their students. What happened to the need for truth? Ethical reporting? Who protects an eight year old who just watched/heard their classmates die from a nosy reporter? Who watches the press?

I could go on and on, but there is nothing I can do. My words will not get through to anyone because these are the same questions others have said and they are now added to a chamber of echoes. I hope that this time, this time, is the last shooting. I hope that this tragedy will set a fire under people to push for basic common sense, human decency, and living responsibly.

For myself? Since I wasn’t directly affected by this tragedy, there are only two things I can do. First, I can ask my state senators to strongly consider repealing concealed carry or reinforcing what’s required to carry a gun. (A “lovely” policy that was installed by our guv’nor.)

And second? Deal with my mixed emotions the only way I know how — through Art, in all its mixed forms.

    Mood: somber
    Caffeinated Beverages Consumed: sigh
    Work-Out Minutes Logged Yesterday: Too much frakking sitting in a car.
    In My Ears: “Luke and Leia” from Return of the Jedi Soundtrack.
    Game Last Played: Dragon Age: Awakenings
    Movie Last Viewed: The Hobbit
    Latest Artistic Project: Holiday gifts
    Latest Release: “The Dig” The Lovecraft eZine Issue No. 19
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