Caturday: LoveMeow Offers Stories about Rescues

Today’s Caturday post is about a site that offers stories and pictures about kitties that have been rescued. is a “blog for ultimate cat lovers.” I think it’s pretty awesome that they show how kittens and cats recover after being rescued. Both of our boys were rescue cats and they are–for the most part–pretty awesome.

This video of a kitten and a lullaby is just one of the many things you’ll see when you visit their site. Plus, the site’s owners will make a small five cent donation for any comment on a post. How cool is that?

If you’ve got any Caturday sites or stories you’d like to recommend, then feel free to send them my way. Either post in the comments below, or contact me.

[Music Playlist] Friday Angst? Listen Here.

For today’s post, I thought I’d share with you some of the music I’ve been listening to. I used to listen to industrial music a lot more than I do now, but the majority of my music is mood-related and specifically geared for writing like a crazy woman. (Note: my collection is sorely lacking in a particular area. Namely, UK bands. Oh, iTunes!!)

To share my love (or pain?), I put together a playlist of twelve songs for you from my collection. There’s over three hundred songs in my playlist here at Monica Central — most of which come from a few really awesome soundtracks. I mean, who wouldn’t want to wake up to Mortal Kombat?

If you can’t listen to the player, here’s the direct link: Monica’s Angst Playlist from

Get a playlist! Standalone player Get Ringtones

[Video] Ray Bradbury on Writing Persistently

So, I couldn’t come up with a good post for today. (Yeah, I know…so sue me…) Instead, I turn you to Ray Bradbury who talks about writing persistently. Because? It’s RAY BRADBURY. *falls over*

Watch Ray Bradbury on Writing Persistently on YouTube!

Pottermore Nails It

I just watched the announcement by J.K. Rowling for Pottermore, and I’m really, really excited. This experience — using technology to bridge the gap between author, reader and gamer — is exactly where I hope to see the rest of the industry go. We are moving toward interstitial experiences to breathe life into our worlds, our stories and our experiences.

Mind you, the reason why something like this could happen, is because the audience is already there. I’ll be watching to see how successful this will be. Since one part of the equation is already taken care of, this will be a great test to see if others can and will follow. Not to mention, Sony is behind this and it’s no secret I’m a big admirer of what they can do.

Here’s the video announcement of Pottermore:

What Does “Write What You Know” Mean to You?

If you’re looking for either a full-time writing gig or a freelancing opportunity, you may see something along the lines of: Experience preferred in [subject matter.]

The idea behind those qualifiers, is that an article will be of better quality (and faster written) if it’s about “something you know.” Can a writer pen an article about how to make a good doughnut when they really prefer chocolate chip cookies? Yeah, absolutely. The idea that “write what you know” doesn’t always work, because all writers — regardless of whether you’re a subject matter expert or not — have to spend a fair amount of time researching and reading the subject you’re writing about. When you’re a writer, you are an experienced wordsmith who understands how to provide clear and engaging prose. By its very nature, our profession requires us to be versatile.

Writing “what you know” can have an influence in other areas for non-fiction including: where you pitch and whether or not you’re a good fit for the publication. For marketing purposes, publications often want their writers to have a “tie” back to the subject in either a professional or casual way. A lot of times, this opens up opportunities for ghost writers, because not every mountain climber/CEO/politician is a good writer.

In fiction, however, “write what you know” takes on a different meaning because it’s fiction. Have you trained a dragon personally? Are you a necromancer in real life? Have you built a robot?

Um, yeah. You get the idea. Here, “write what you know” might be better understood if I rephrase it as: “write what you’re comfortable with.” Here’s some examples of that: I’m not a religious person, but you will see both religious and non-religious characters in my fiction. I enjoy writing horror and stories with darker themes, but I don’t normally write so-called gore porn because I’m not comfortable with straight-up slasher flicks that are light on plot.

Writing what you’re comfortable with also has subtle meanings and consequences. If you like a genre — like science fiction — then you’re probably reading other authors and know what other readers are reading. Last year, I wrote a short story that didn’t work, because I wasn’t comfortable with the genre I was writing in. This year, I wrote a couple of short stories that did work, because I knew the setting cold and had a lot of fun with them.

When I was starting out, I did write some stories that had a personal theme to them — and I’m glad I did. I would NEVER publish those stories professionally, but what those stories taught me was invaluable. First, it’s a BAD idea to “write what you know,” because it’s almost impossible to get a bird’s eye view of your story. Critiques? Oh, man. Talk about taking things way, way too personally. Often, what happens in real life doesn’t make a good story because, like movie dramatizations, there are things that have to be altered/omitted/etc. in order for it to fit the structure of a tale. Even in literary fiction, the character (or characters) are often irrevocably changed by their experiences. In real life? Do you think people like change?

Hah. Do I really have to answer that? [Insert current political climate here.] No, no they don’t. If people liked to change, then we wouldn’t have as many arguments about who puts the cap on the toothbrush and who deserves what rights as we do. Characters, however, do change.

And that, my dear readers, is where writing what you know can be a benefit to your work. Focus on the emotion. How something feels is a great thing to share with your readers, because emotions reach past cultural boundaries — it touches all of us. We fear. We grieve. We’re happy. We’re sad.

And we’re out of caffeine…

What does “write what you know” mean to you?

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