[Video] So You Want to Write a Novel?

My friend James Lowder shared this on Facebook and I thought that you’d get a kick out of it. I’ve heard this song-and-dance before. I think about writing like I do cooking. Most people can cook, but that doesn’t mean they all work in five star restaurants.

25 Mantras on Writing and Professionalism

As a follow-up to my previous post about “bad news,” I decided to write my thoughts on what I feel it means to be a professional writer. You may disagree with me, and that’s okay. I firmly believe that your path is not the same as mine. Take what you want and leave the rest.

    1. Any advice, news, tools, or people that distract you from getting words down on the page is not valuable to you as a writer, regardless of how positive or uplifting you feel afterward.
    2. Having a writer’s platform is meaningless if you don’t have any readers, because your brand’s awareness does not always equate to sales.
    3. Avoid any bandwagon that declares publishers or retailers are bad or evil.
    4. Know your own worth but be realistic about it.
    5. Learn the tools, but don’t make your platform your primary focus if you have nothing to sell.
    6. Don’t quit your day job. Don’t quit your day job. Don’t quit your day job.
    7. If you submit a story, pitch or job application, don’t wait to hear back before starting on the next one.
    8. Respect and support other writers that are more experienced that you are.
    9. Writing is NOT a competition. What (or who) one reader or employer likes is going to be very different from someone else. Sometimes, you aren’t a good fit for the job. Sometimes, an employer doesn’t want to re-train a new writer to work with them. There’s a lot of slots to fill; find the ones that work for you and keep looking.
    10. Understand that some people will be happy for your success and some people won’t. Learn to tell the difference and distance yourself from those who are jealous or are willing to sabotage you.
    11. Don’t talk shit or make boasts you can’t back up. You never know how that will come back and haunt you — until it does.
    12. Remember that there are misconceptions about writers and, in some cases, there is nothing you can do about it.
    13. Know that success is relative. One writer’s accomplishments are not your successes, so quit worrying about what someone else is doing. Their “greatness” doesn’t mean you’re a failure.
    14. It’s okay to have a bad day! Experience that bad day, then get over it and get back to work.
    15. If you are a writer, be flexible but write what you’re interested in and work for the people you have a good relationship with. Do not become a slave to your job.
    16. If you can’t afford to be a full-time writer, explore your options and find a part-time job or something else to do. Being a poor artist isn’t virtuous or ideal — it sucks.
    17. Always keep an eye out for new jobs or opportunities and network, network, network.
    18. Don’t be afraid to say “No” when you need to.
    19. Resign yourself to the fact that you may never be as popular or wealthy as Steven King. The, focus on the readers that you DO have.
    20. Learn how to resolve interpersonal conflicts and identify people who can’t. If you wind up on the receiving end of something like this and your assignment/job/project is affected, know that even though it might feel like a personal attack, it’s more of a reflection on the person who can’t resolve the conflict.
    21. Get it in writing.
    22. Realize that you are not a machine. Some days you’ll write faster than others.
    23. Recognize that everyone functions differently and cultural nuances affect not only how people work, but how they respond to people and what they do at work, too. If someone doesn’t get back to you right away, it’s not because they’re ignoring you.
    24. Understand that your rejection letters may not have anything to do with the quality of your work or “you” as a person. Don’t take them personally.
    25. Keep up-to-date on technology and don’t be afraid to learn new things that make you more marketable.

The Queen of Crows is Now Available for Your Kindle, Nook, iPad and More!

First published in March 2010 on DriveThruHorror.com, we’ve expanded our digital offering to include a text-based version for your Amazon Kindle or your Nook from Barnes and Noble. Since this file format is primarily text-based, we went ahead and dropped the price to $2.99 on both the Kindle and the ePub edition. The ePub format, which is available at Barnes and Noble, is also compatible with several other devices including your Sony eReader and your iPhone.

In addition to the new version, we’ve optimized the original, full color file to work with your iPad. Because of the file format, we are currently only able to offer this version to you via DriveThruHorror.com and Lulu.com. This week, we will also begin testing the file on a color version of the Nook. We do plan on offering a print version of the work sometime next year.

If you’re curious about where this book is available or want more information, you can check out the updated book page at Violetwar.com. You can also download or view free samples at Barnes and Noble, Lulu.com and DriveThruHorror.com.

Thanks again for your support!

On Bad News

Hey everyone,

Wanted to write you a letter today that allows me to clear a few things up. I’m sure that many of you know that when you’re a creative person, you live your life on a roller coaster. For many people, the employment outlook isn’t great; this is especially true for creative people. Several writers and artists I know, including myself, do not have a full-time job right now. Many businesses are either not hiring or they are taking the opportunity to give their regular workers overtime. The people that I do know that are working are swamped, as businesses are trying to cut costs to stay afloat. Sometimes, this means that creators are required to act like production monkeys, which means that the quality of the work suffers. In many cases, I’m hearing from other writers that they are creating content for the sake of producing content so their other work is suffering, too.

Age also seems to be a factor in today’s market; most people I know either have an older relative or a parent that’s out of work. After several conversations with some state and private agencies around town, applications for positions have tripled and recruiters are seeing that a lot of overqualified applicants are vying for low-paying jobs. As you can imagine, it’s an employer’s — rather than an employee’s — market.

On the publishing front, which is not a full-time, viable financial venture for over ninety percent of the authors out there (including myself) — the news is grim. Many small press publishers are going out of business and the larger publishers are focusing more on their heavy hitters. So authors who write books that sell a steady number of copies, dubbed the “mid-list” authors, are finding that their contracts are drying up. Right now, I’m still a small press author, so the news about the disappearing mid-list is pretty depressing. (For one example, read: Mid-List Authors Find Homes at Indie Presses.) I’ve tabled two half-finished novels and have been focusing on other opportunities because I’m not very optimistic about my chances.

To be clear: I feel I made a mistake when I wrote my “Happy Thanksgiving” post and wound up deleting it, because I mentioned I was thankful for all the bad experiences that I’ve had this year without really explaining why. Sure, I talked about how you can’t have the good without the bad, but I didn’t go into this level of detail. Taken out of context, it sounded a little bitter to me, which is not accurate. The market does suck, but it will get better. It always does.

Fortunately, I am part of a community of writers and artists who either have experienced what I’ve been going through or know someone who has. My support network is very strong and invaluable, but having that support is not a guarantee that things will change. I have to make very careful decisions about how I spend my time, but I also need to be brave and take risks. I have to finish those novels, even though I don’t think I have a chance in hell of getting them published. I also have to forget about how clean our house is and focus on writing another story or submitting another resume.

Right now, I am slowly closing the door on an unfortunate chapter in my career, but I’m plotting out a new one. I hate sharing bad news because things change. What non-creative people don’t realize, is that being creative means that you have a different life path than most people. Sometimes it’s hard to express that in a post without coming across as being bitter or negative, but I’ve always been an opportunist and a pragmatist. Sometimes those opportunities work out, and sometimes they don’t.

This is my story. I hope that by sharing it, I inspire you to get off your butt and focus on your own. I wish you the best of luck and encourage you to reach out to people and explore every option you have. As always, I hope that you lift your head up and realize how valuable you are. Keep writing, keep telling stories and never, ever give up. I know I won’t.

– Monica

Chocolate versus Vanilla Personas

A couple of days ago I had the chance to sit down with my friend Jason Blair. Jason is an interesting guy; he’s a very talented game designer and has even written for a few video games. One of the things we talked about was the broad variety of writer’s personas we’ve seen on the web and how people might perceive a writer not just from a reader’s standpoint — but from an employer’s standpoint.

What’s in a Plain, Vanilla Persona?

A vanilla persona is a safe persona. The content that supports this persona doesn’t include pictures of drunk people or swear words. Content doesn’t strive to be edgy or cool just to get readers; topics tend to be evergreen. If photos and post subjects are personal, they’re the type you’d share with an acquaintance rather than a lover. This type of persona also translates well offline because people’s expectations about the real person aren’t as controversial as someone who has a chocolate persona.

Examples of my vanilla topics include: commentary on relevant trends, what I’m working on now, reviews of software or tools, insight into writing or the freelancer’s life, recipes, etc. Right now, my goal is to build my brand as a writer. My ability to do that depends upon the content that I have available for people to read. My goal may sound familiar to you: project my successes and minimize my failures.

Many writers online are striving to achieve the appearance of success, regardless of whether or not that’s actually true. After all, would you buy a book if it’s poorly reviewed? What about hiring a writer that had to resort to asking donations via social media to pay their car payment? While that may be honest (e.g. writers tend not to make a lot of money) it sounds like that writer can’t make enough money to to survive. Without realizing it, that type of commentary then leads to: “Well, why aren’t you making money? You must be a bad writer.”

Several authors, like Lori Devoti, Matt Forbeck, James Lowder, etc. have a vanilla persona. They talk about their writing and they share some personal tidbits, but they don’t make it a point to be in-your-face or be a part of every internet kerfluffle that hits the web. An example of a writer’s vanilla persona who I really admire is Holly Lisle.

In my case, I’ve also got two aspects of my personality. “Monica the author” is a lot different from “Monica the business professional.” However, we are one and the same individual. A vanilla persona allows me to blend all those pieces together without requiring me to spend buckets of time maintaining an edgy or cool personality separate from my blog. I’ve been experimenting with that on Violetwar.com, but find that it’s too time-consuming to maintain one persona let alone two.

A Chocolate Persona?

A chocolate persona is full of flavor. It’s the type of online personality that swears and comments on everything under the sun to sound cool, hip and popular — whether it’s relevant to their writing or not. It’s the type of persona that whines when things don’t go well and tries to start internet fires to get traffic. People who have chocolate personas incur opinions about their personalities, which doesn’t always work when you meet them in person.

There’s a lot of writers who fabricate a persona that is either nothing like them in real life or seems to be more grandiose, akin to reality television. That’s their choice and to them — being popular online means something. Would a young adult publisher want to buy my novel if I had a foul mouth? Probably not, unless I had a pen name. Would a business put their content in my hands if I infused internet slang into everything I wrote? I can tell you that their answer would be “No,” because I’ve heard some people complain about that before.

Don’t get me wrong: having a popular persona online can provide a lot of benefits for a writer. In some cases, it absolutely makes sense for a writer to create a chocolate persona. However, there is another piece to consider. Why does it matter? What’s the point of having a persona if you’re not going to do anything with it? After all, I could be the most popular writer online but if I don’t make any more money than a writer who isn’t popular online? Then what good does it do me? At the end of the day, all writers have to make a living somehow. Being a writer means you write more than forty hours a week; sometimes you have a full-time job, sometimes you don’t. Our time is limited. If we have to market ourselves, wouldn’t you much rather spend the time that you have doing something that matters?

Now, I know what you’re thinking. Popular authors online have to sell more books. Right? *shakes head* Not necessarily. I cannot tell you how many conversations I’ve had and how many threads I’ve followed where writers say it’s had little to no impact on their sales. Not to mention, more than a few have complained that the time they took to create that popular persona could have been used to *gasp* write.

Online marketers know the reality behind internet popularity all too well. You can drive tons of traffic to a web page, but if people don’t convert (e.g. take an action) then that traffic is useless. Brand awareness may be a goal, but often that comes with its own price. What do you want to be known for? Your writing or your foul mouth? There are other ways to get your name out in front of potential readers without pissing people off.

Lastly, it is a lot harder to maintain a persona that is an advertorial or a well-marketed aspect of anyone’s personality for long periods of time. Trendy personas are not sustainable unless you constantly put the work into it. Not to mention, it can be very exhausting if you are known for “this one thing” and have to keep up those appearances.

The Proof Is In The Data

Although this is a pretty simplified view of personas, the last thing that I’d like to point out is that you can prove how well your persona is working with data. What kind of persona do you need? Well, first you need to have some goals. Goals have to be measurable, traceable and provable. Then you need to figure out how to track those goals with a few, different metrics that are related to what you’re trying to accomplish. The more you look at your data, the more realistic your expectations will become.

For example, just looking at “hits” is pretty meaningless for several reasons. A “hit” can be a spam bot, a search engine spider, a refresh on a page or a visit. I’ve seen retailers who got really excited about getting thousands of hits in one day, only to find out their sales had decreased and the traffic came from a hacker. Web analytics tracks a three-dimensional visit to your website. Use that data to support your existing content and test new ideas. I guarantee that you’ll be happier in the long run because that data will take the guesswork out of what you’re doing. After all, your data can help shape not only when you post, but how often and what you post as well.

By using data to your advantage, you can create a persona that you’re satisfied with. What’s more, you can make your persona more manageable and (here’s the best part) get back to writing what you want to rather than what you feel compelled to.

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Looking for Monica’s books and games that are still in print? Visit Monica Valentinelli on Amazon’s Author Central or a bookstore near you.

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