[Guest Post] Melanie R. Meadors on Playing In Someone Else’s Sandbox

When Marc Tassin invited me to write a story for the anthology he and John Helfers were editing, Champions of Aetaltis, I was over the moon. I had always wanted to work on an RPG tie-in project, and since this had a sword and sorcery type setting, it seemed right up my alley. Some of the first fantasy novels I read as a teen were Dungeons and Dragons tie-ins, and I’ve enjoyed the Pathfinder Tales books from Paizo as well. It didn’t take me much thought at all to agree to work on this project with two editors I admired.

When I got the setting guide to the world of Aetaltis, where the stories of the anthology were to be set, I started reading it with glee. I couldn’t wait to get started, and I was sure inspiration for a story would hit me as I pored over the pages. There were two hundred pages, to be precise, with details about races and classes of characters, facts and maps about the settings, and everything I ever wanted to know about the history and gods of the world. But when it came time to actually write the story, aside from having a little struggle coming up with the proper “champion” (and you can read more about my struggle with that here) I became really worried. There was so much stuff in the world guide, so much of it was already estab-lished. What if I completely screwed something up?

Thankfully, I’m not a shy person and went straight to Marc with my fears. Not that I asked him to hold my hand or anything, but I pitched my story idea to him as specifically as I could, and asked him to please verify that the world stuff that was involved with my story seemed accurate. I told him straight out, “Hey, I’m new at this shared world stuff. I just need your OK that I’m going in the right direction.” Sure enough, I was fine. I wrote the story and submitted it to him by the deadline.

Then things started to get really cool.

I hadn’t thought much beyond needing to get my story written and then taking care of edits when they arrived. To me, my characters existed in Aetaltis, and there were creatures and mention of other places in the story, but that was it. It was self-contained in my mind. But of course, to the world developer, this one story was a piece to a much bigger puzzle. My story’s characters and the events in it would become the stuff of leg-end in Aetlatis. And possibly most awesome of all was finding connections between stories in the anthology, things that were completely unplanned but just coincided. Two stories, for example, that had a staff in them. When Marc emailed me one day and asked if I could fiddle with the description of a device in my story to make it match one in another story, which would actually be a legendary weapon, I realized for the first time just how cool writing in a shared world really was. My story was more than just a story, it would become a bit of the mythos of the world. People could read my story and create a game out of it, just like the Aetaltis role playing game world was the basis for my fiction story.

The same goes for pretty much any tie-in. When you write a story based in the world of a video game, RPG, or movie franchise, your story becomes part of that world’s cultural literacy. Something small in the world might have inspired your story, but something small in your story might inspire someone to write another story, or game, or even movie. Your work becomes part of something bigger than it would have been if it was just a stand-alone tale.

A simple story becomes legend.

The World of Aetaltis, a new classic heroic fantasy RPG setting for use with Fifth Edition, is now on Kickstarter. Books, accessories, maps, & more for your 5E roleplaying game!

About the Author

Melanie R. Meadors is the author of fantasy and science fiction stories where heroes don’t always carry swords and knights in shining armor often lose to nerds who study their weaknesses. She’s been known to befriend wandering garden gnomes, do battle with metal-eating squirrels, and has been called a superhero on more than one occasion. Her work has been published in Circle Magazine, The Wheel, and Prick of the Spindle, and she was a finalist in the 2014 Jim Baen Memorial Science Fiction Contest. Melanie is also a freelance author publicist and publicity/marketing coordinator for both Ragnarok Publications and Mechanical Muse. She blogs regularly for GeekMom and The Once and Future Podcast. Her short story “A Whole-Hearted Halfling” is in the anthology Champions of Aetaltis, available on Amazon.

[My Guest Post] Writing Prompt for Perspective

This month at Apex Book Company, I talk a little bit about something I feel is crucial to ensuring your story is your own — perspectives. When I’m worldbuilding and mapping out my plots, I also include something that happens a lot in romance — what the character believes and fears.

Just recently, I had the chance to apply this to a flash fiction piece-turned-short story called The Legend of Aeneis that I submitted into the atmosphere. The premise was about how a group of priests conducted a ritual they believed would save them from an impending attack. Thinking that uber-ancient technology or magic is the end all and be all is quite common in our culture, but it’s not always true. In this case, it definitely wasn’t.

Here’s a quote from the article:

Perspectives are one way to achieve the characterization. I just got done watching Season Five of Doctor Who, and I was reminded of how the Doctor’s view of humanity affects and shapes what he does and how he sees the world. Each alien race in the series has a different view of humanity, and for our own stories understanding that perspective — and why they believe and feel what they do — is crucial to ensuring an alien race is distinct yet something we can relate to. — SOURCE: Writing Prompt: How Would an Alien Describe a Human at Apex Book Company

I hope you get the chance to check this out. For more writing prompts, the Donald Maass Literary Agency has been offering some excellent ways to dig deep and find literary treasure. You can also follow the president of their agency on Twitter @DonMaass.

[My Guest Post] Aspiring Authors Should Think Twice Before Marketing

Hi everyone,

Today on the How To Write Shop I posed a question about whether or not aspiring authors should start promoting themselves before they learn how to write.

This is one of my longer columns where I cover the difference between website visitors and readers, mention why it’s important to focus on your craft, and where some of the confusion might be coming in. Many of the topics I brush on might be uncomfortable for people eager to write their first short story and hopefully sell a ton of copies, but I felt it needed to be said. I’m seeing a heavy-handed focus on developing an online presence and how necessary it is to get online traffic, but for new authors I feel this is greatly misleading.

There are benefits and drawbacks to jumping in to online promotion when you don’t have the resume to back it up. However, you have more flexibility to experiment because you have nothing to lose. Many people want to be a writer because, on the surface, it appears glamorous. No set schedule, work from home, make a ton of money, etc. But there’s a lot that goes on in the industry outside of writing that eventually you’ll need to pick up on. To survive, you need to be flexible, disciplined, determined and thick-skinned. Not everyone is, and there’s nothing wrong with that. Like books, there are many different types of writers out there. I know some who are perfectly happy writing for a few small presses; others want their books in retail stores like Target, Wal-Mart, etc. As a result, their online promotional efforts reflect their goals and life as a writer. — SOURCE: When Should You Start Promoting Online? at the How To Write Shop

If you’re new to writing, I hope you’ll drop by and read my article today. After all, if you’re going to chase the rainbow, you’ll need to put your running shoes on first…

Guest Blog on SFWA: Do You Know How to Sell Your Sword?

In my latest guest post on the SFWA blog, I discuss the sales cycle from an online and an offline perspective. Do You Know How to Sell Your Sword? offers you my perspective from working in online and offline retail, by providing you with a metaphor about a blacksmith who is trying to sell a magic sword.

The online sales cycle is a very passive one for retailers, because no matter how much any store owner may try — the seller is not in control. The buyer is. At a convention, for example, organizers will help facilitate traffic and flow based on the physical layout of the hall. For any website, a reader can access that store from any page because of something called natural or organic search; not “just” the home page.– SOURCE: Do You Know How to Sell Your Sword? on the SFWA blog

Be sure to subscribe to the RSS feed for SFWA for more articles and updates. My next guest post will be a “hit list” for authors about things to include on a website, so stay tuned.




Monica Valentinelli >

Looking for Monica’s books and games that are still in print? Visit Monica Valentinelli on Amazon’s Author Central or a bookstore near you.

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