Progress Report #10: On Writing Like the Wind

I just realized that my last progress report was from December of last year. Whoops! Rectifying this today, so I can keep you apprised of any new announcements coming up.

In Project #9, I talked a lot about the importance of doing research when writing historical era research, and how if you are writing about the past it’s quite possible you’re going to get things wrong. As an addendum to that, I think it’s important to remember that even though writers are very, very smart, because we know how to research and look things up and talk to people, that doesn’t necessarily mean our intentions or our work will be interpreted the same by every reader in a cultural, intellectual, or emotional fashion. This is pretty exciting, in my mind, because it means we can have conversations we couldn’t before and learn from them–provided we’re able and willing to listen. Sometimes, however, that’s a bit of a challenge as there might be constraints as to what the next steps might be, or parameters (especially on bigger named properties like Star Wars or what have you) that writers are bound by. Regardless, I see this as an opportunity rather than a challenge, and though I cannot be perfect (nor do I want to be), I feel this spells nothing but good news for the relationship between writers and readers.

I should also point out that a lot of work listed below is past tense; I’m always open to discussing new opportunities. Thanks! On to my tips for writing like the wind!

To Write Fast, Write Smart

A couple of weeks ago, I wrote 10,500 words in one day, and I “think” my fastest slog was 25,000 in two days back in college. I have written 12 or 13,000 in a day, too, but I’d much rather write 3 to 5k at a steady speed than lose my humanity, hurt my writers, and/or fall into the black hole that is my brain. However, there are some reasons to write fast like…procrastination, zombie projects (e.g. manuscripts you thought died but came back to life and need to be shot in the head. again.), shifting deadlines, life crap (being sick), etc.

Retention-wise, when I write fast I average between 90-95%, and ironically I retain more when I’m sprinting than when I’m not. A couple things to remember, though: I started writing when I was very young and focused on literary fiction through college, so I’m not new to this writing thing. Do I get neurotic or forget to exercise my story brain muscles if I’m too focused on one thing or the other? Ab-so-frigging-lutely. Writing is not a static thing for me, and it never has been. However, I feel that my experiences are important to mention, because sometimes I find folks put a lot of pressure on themselves to soak up all the writing advice they can to poop out great stories and write fast or write perfect when in all actuality? The only solution to figuring out what works and what doesn’t is to keep writing. It’s really the only way to internalize processes that are external to start–and yes, those processes can be forgotten or buried depending upon what your focus is. Something along the lines of… If you want to write novels, then write novels. Don’t write short stories or games and expect to know how to write a novel. Or, more to the point, my favorite acronym ever (K.I.S.S.) is sometimes the best way to proceed. If a thing doesn’t have to be complicated, why make it so?

Anyhoo… In order to write fast, I feel it’s important to take into account what you/I know about your/myself as a writer. I think that some of the self-analytical bits are hugely important, because if you don’t know what your process is or how fast you write in different areas, then it’s really hard to plan word count as a metric. I should point out that I do map a lot of my goals to word count for Day JobTM sorts of things, but haven’t done that for the spec stuff in a while, even though I’m starting to do that now.

Some examples of things I know about my writing speed are:

  • If I have to worldbuild during or after a project, I write slower.
  • I hate wasting time on a draft, only to throw it away.
  • I worry that my bad habit of using filler words (e.g. that) in a draft will make the story uninteresting.
  • Research is my kryptonite, because I love to do it.
  • Writing cold is the hardest thing for me to do.
  • I know that I can write, consistently, somewhere between 3k to 5K per day if I’m writing full-time.
  • Writing a variety of characters/scenes/etc. is slower going than a chapter on “a” topic.
  • Writing a chapter on a single topic bores me to tears.
  • I need to hear the character’s voice in my head before I write them.
  • I write fastest/best when uninterrupted for short periods of time.

So, my solutions to this knowledge help speed up my writing. I think of these things as prep work, and they might include:

  • Elevator pitch – If I don’t know what the story is about, then that is wasted effort. Yes, sometimes I need to write to find the character’s voice, but that’s a different and intentional exercise to solve a separate problem. Even if I don’t have an outline, at bare minimum an elevator pitch or short synopsis will keep the story contained.
  • Word sprints – For this, all I need is a timer and an hour of uninterruptions. Then, I write as fast as I can for that hour, after my prep work is done. I’ve written (at most) 1,300 words this way.
  • Milestones – I use milestone planning when working on larger projects, to set smaller goals. This really helps because if a deadline shifts, I can use word sprints after doing massive amounts of planning (e.g. research, character/dialog sketches/word lists) to get the project done.
  • Write to the beginning – This tip came from John Hornor Jacobs, but it’s a really good one. Instead of writing to the end of a scene, write the first couple of sentences in the next section to mentally prepare yourself for a head start.
  • Revision checklists and filler words – I plan to be wrong or to have errors in my work, and this reduces my anxiety about writing drafts as well. I know I use filler words, so sometimes I have word lists, character names/place names, etc. Sometimes I’ll put words in brackets or use a highlighter; I almost ALWAYS read my work out loud and change the font/spacing, to give me a different perspective on my work.

For me the key to writing fast is to do prep work both before and after, knowing that the in between bit (the actual writing) is the middle of my process–and not the end. Freaking out about the end is what significantly kills my ability to write, so I remove that anxiety by shifting the work and emotional weight to a multi-step process. This both occupies my mind and helps me the more I write a specific kind of project; this is partly why doing anything “new” can freak me out more, so I tend to overcompensate by planning more up front work.

Often, I have to remind myself that I cannot revise a blank page, and I cannot sell the story that hasn’t been written yet. Sometimes, to push through that, writing fast is the only way to get over that anxiety, because then I have a draft to edit and revise–which is more than I had to begin with.

Hope this helps you find your own process. On to the updates!

Games

I’ve got some new updates for you on the games front. Huzzah!

  • World of Darkness: Dark Eras – Wrote the Hunter: the Vigil supplement for this book for 1690s Colonial America. This is now available for fans to purchase.
  • Vampire: The Masquerade: Ghouls & Revenants – Contributed and edited this book. This is now available for fans to purchase.
  • Robert E. Howard’s Conan RPG – This hasn’t been released yet, but my understanding is that it will be shortly.
  • Codex Infernus – The Kickstarter was successful, and it’s now available for fans to purchase.
  • World of Darkness: Dark Eras II – Contributed to the Geist: the Sin-Eaters supplement for the 1580s-90s Roanoke Colony. This hasn’t been released yet, but it will likely be available this Fall.
  • Hunter: The Vigil 2nd Edition – I’m the developer for this, and I’m working on the outline and putting together my team of writers. The submission guidelines are available here.
  • Court of Shadows – I designed a new setting for Shadowrun with Jason Hardy, and contributed several thousand words to this unique supplement. The book will be out this Fall.


Fiction

  • Upside Down: Inverted Tropes in Storytelling – We raised ~24,000 on the Kickstarter and had close to 1,400 backers. We were able to bump the pay rate for our storytellers and add two essayists. The collection is in proofing right now, and I’m working with Jason on delivery and timing.
  • Red Byte – Revisions put on hold.
  • Pratchett on Acid – 25K into the new novel, and it is…creative? Inventive? Heh, heh. Though, I’m going to flip this into a novella, because I think the story will be stronger in that format. I’m having TOO MUCH FUN with worldbuilding.
  • Vampire: The Masquerade Dark Ages Anthology – I’m editing a collection of stories for this setting, and we are now in second draft stage.
  • TBA times three – Wrote three media/tie-in short stories for [redacted], [redacted], and [redacted]. Two of those collections will be debuting this Fall.


Comics

Ugh. Ugh. Ugh.

  • Anthos – Two rejections.
  • Sparkle Mega – Full pitch is still in the works for a short-term series. The pitch window hasn’t re-opened yet, so this got put on hold. Found out the publisher doesn’t pay, though so am confirming this before moving forward.
  • Red Sigma – In addition to pitching, I am going the small press publishing route for a collection. Still in planning stage.


Non-Fiction

Super yay!

  • Worldbuilding Book – Pitches are being sent out. Yay!
  • The Gorramn Shiniest Dictionary in the ‘Verse – This language guide for the Firefly TV show is now available AND it has an entire section for the Chinese (Cantonese and Mandarin) AND an interview with the fabulously talented Jenny Lynn!.

Thus endeth the latest update!

Progress Report #9: A Storm Has Passed

Last time in Project #8, I updated you with news about the Firefly RPG, including several awards the line won, and mentioned several balls in the air following a Twitter/FB sabbatical in September. As of today, I’m caught up on everything (e-mails, included), and am heavy on the pitch phase, but I’ve got some updates for you that follow after some words about the intersection between research and reality.

This year, I wrote a lot of alternative history and that required loads of research, ranging from the Inquisition to Western colonization and Mussolini-era’s Italy. The key refrain, over and over, that kept coming up was the difference in motivations and values between oppressor and the oppressed, colonists and natives, religious and less devout. This translates, of course, into the way that history is written, but also in the way that it’s perceived. There’s a lot of knowledge that has been obscured for many reasons, in part because the past is not always reexamined to incorporate a different perspective, especially if that alternate view represents a people (or in this case, several peoples) that were hurt, murdered, victimized.

Why go this deeply into the past? Roleplaying games, in particular, provide players with the unique opportunity to examine the past in the context of a game. In my experience, gamers are excellent, fantastic readers who will devour anything you put in front of them, and take that a step further by reading more on the subject. By addressing these topics within the confinement of the space provided, I know that other players and designers, such as myself, will dive into the past and learn more about it. And, while a lot of players might not make a correlation between past and present, especially since this research is put through the lens of alternate history, the material and the game can be both challenging and compelling because it makes villains, heroes, and the people caught in between all that more real.

In addition to roleplaying games, I find historical research is a fantastic way to dig deeper into worldbuilding. Though problematic tropes can be avoided, I feel that the only way to do that is to read multiple perspectives. For example, you might have seen the heated discussions about the Washington Redskins. The word “redskin”, however, has deep historical, cultural, significance that you can read about here. Reading how the past has led to the present, gives writers a deeper sense of the semantic and literal significance of words, and I feel this is why it’s so important. Writing stories and designing games can be entertaining, sure, but I feel the future of media isn’t to repeat the past for the sake of repeating it, especially since we have faster access to more materials to do deeper research than ever before.

Games

Speaking of gaming, I have some fantastic updates for you. As of today, all of my current gaming commitments are complete, but there are more in my future.

  • World of Darkness: Dark Eras – Wrote the Hunter: the Vigil supplement for this book for 1690s Colonial America. My role in this project is now done, and it’s off in the ether of post-editing and development.
  • Vampire the Masquerade: Ghouls – My role on this, too, is now complete, and is in post-editing and development.
  • Conan RPG – I finished my contribution to the corebook, and stepped down as the project manager. Jason Durall has taken my place.
  • Codex Infernus – The Kickstarter was successful, and my role is now done.
  • World of Darkness: Dark Eras II – Contributed to the Geist: the Sin-Eaters supplement for the 1580s-90s Roanoke Colony. The chapter has since been sent off to editing. Of all the things I wrote this past year, this was the most challenging for me.


Comics

I have been talking about how challenging comics is. So I’m going to continue mentioning what I’m doing to make this a reality.

  • Starry Alpha – Last time, I was working on outlines for an established property. Unfortunately, the line has been canceled so this fell through.
  • Pinefresh Theta – Pitch, full script, and sample sketches sent off to an anthology. I was rejected in favor of a different author, who wrote a similar story.
  • Sparkle Mega – Full pitch is still in the works for a short-term series. The pitch window hasn’t re-opened yet, so this got put on hold.
  • Red Sigma – In addition to pitching, I am going the small press publishing route for a collection. Still in planning stage.


Fiction

Phew! So many updates here… I got through half of NaNoWriMo (e.g. 25K) before I had to stop in favor of zombie projects and proofing that ate up a lot of time. The writing sprints greatly impacted my creativity, and the story got out of control so I had to rein it back in. There’s other stuff not listed here, too, but as 2016 progresses it’ll make more sense.

  • Upside Down: Inverted Tropes in Storytelling – Core of the anthology is done, and we’re working through open submissions.
  • Red Byte – Revisions put on hold.
  • Pratchett on Acid – 25K into the new novel, and it is…creative? Inventive? Heh, heh

  • Non-Fiction

    No new movement, here, but I wanted to remind you what I’m working on and what’s coming out.

    • Worldbuilding Book – I’m working with my agent to hone my pitches for interested publishers. Pretty excited about this!

    • For Exposure: The Life and Times of a Small Press Publisher – A book of essays written by Jason Sizemore, the publisher for Apex Book Company as part of the company’s 10 year celebration. I have written a satirical essay which is titled “The Case of the Mysterious Splatter.” It has footnotes. Many, many footnotes. It’s now available.
    • The Gorramn Shiniest Dictionary in the ‘Verse – This language guide for the Firefly TV show will be out this Spring from Titan Books. You can pre-order it now. Awesome!

    Thus endeth the latest update!

    Progress Report #8: K.I.S.S. and a September Twitter/FB Sabbatical

    I mentioned earlier that my last show was this past weekend. Now that my world has mostly stopped spinning, it’s suddenly gotten very small–which means a renewed focus on four little letters. K.I.S.S. Keep It Simple Stupid. Essentially, it’s about deconstructing the most complex ideas into their simplest components. This philosophy is very popular among the tech crowd, but I’ve seen other variants of the idea, too, often referred to as the science of simplicity with respect to wardrobe and reducing other decisions to avoid distractions.

    The past year has been filled with a lot of Deep Stuff, for me, and while it was necessary and important to go through another series of Life, the Universe, and EverythingTM events…I’m fried. I had a great time being a guest and speaker at a lot of shows, and was able to meet with a lot of friends–old and new–but now that my travel is over, it’s time to tie up projects and forge ahead. Thus, K.I.S.S. By narrowing my focus, I remove distractions and excuses so I can focus on my goals.

    To help put me back in the right frame of mind for a heavy production schedule and a new stage in my career, I’m logging off of Facebook and Twitter for the month of September. It’s a real challenge, for me, because I have so many people that contact me via these mediums, as opposed to e-mail, either for work or to hang out. Ergo, I’m giving y’all the heads up that I’m avoiding those mediums as much as possible for the month of September. If you’re trying to contact me for work, please use e-mail because I’ll probably miss it!

    Games

    Q2 and Q3 brought quite a bit of announcements your way, including several new Firefly RPG nominations for the Origins Awards and ENnie Awards. We were up against stiff competition, including Dungeons & Dragons 5th Edition, and were honored to be included among such fantastic titles. We were also very grateful to accept the ENnie 2015 Judge’s Choice Award for Echoes of War: Thrillin’ Heroics and hope you’re enjoying the game.

    We’ve had a number of questions about where the line goes from here. As we’ve mentioned in our interactions with fans, we’re taking a pause to promote the releases we already have for the line. Including the two releases I mention below, we’ve released six books so far for the Firefly RPG. Though the line launched a few years ago, we still have fans asking about the game as if they’re discovering it for the first time. For us, our focus is on highlighting the supplements because a lot of fans aren’t aware they exist. If you’d like to help, remember that reviews and actual play are lovely for your fellow fans to read. This really helps fans decide what they want to pick up. So thanks!

    Since I write, edit, and manage projects full-time, this means that I’ve been looking forward more than I have been in the past few years. After all, despite the decisions that happen with respect to any project I’m working on, as a freelancer it’s my responsibility to ensure that I’ve always got something in the hopper so I can earn a living. That is why I’m pleased to tell you that I’m the developer for the Hunter: the Vigil Second Edition and the Conan RPG based on the literary works of Robert E. Howard. My roles on both are not as intense as they were on the Firefly RPG, which is partly why I’m able to fit them into my schedule in addition to other projects. Because my travel has now ended for the year, that enables me to get more done as well.

    In addition to these announcements, I released the following since Progress Report #7: the Workhorse Edition.

    • Smuggler’s Guide to the Rim – This is a book filled with lots of great material for players and GMs. Both digital and print are now available!
    • Ghosts in the Black – This is a Firefly RPG campaign supplement. The story was designed by Robin D. Laws, and I’m happy to report it’s now available in digital and print.
    • World of Darkness: Gothic Icons – What’s gothier and angstier than Gothic literature? Gothic Icons! Now available in print.
    • World of Darkness: Dark Eras – Wrote the Hunter: the Vigil supplement for this book for 1690s Colonial America. We handed in our expansion material and new art notes for Dark Eras I, and Dark Eras II is due shortly.
    • Brandon Sanderson’s Mistborn RPG – I contributed to the Skaa supplement for this game and Logan Bonner is my developer. Last I heard, it’s still coming out.
    • Vampire the Masquerade Dread Names: Red List – Fans can play as an Alastor to hunt the Camarilla’s worst enemies. Or, alternatively, Storytellers can drop one of the Anathema into their Vampire: the Masquerade chronicle.
    • Vampire the Masquerade: Ghouls – Currently in editing.
    • Conan RPG – We’re currently working on wrapping up the corebook, and are expecting a few pieces yet for the manuscript. I’ve got about three-to-four hundred applicants to sift through before I propose them to my teammates.
    • Codex Infernus – I developed the setting for this hell-themed Savage Worlds supplement, and the publisher is working on a relaunch of the Kickstarter. More soon!


    Comics

    Last time, I talked about how defeated I felt. However, I’m really stubborn. Amazingly so. Ergo, I’ve hit this hard and am now in full-on pitch mode. I am working with a few people as collaborators and mentors, but until we’re ready to announce I’d much rather give you the basics. Call this my safety catch, since I’ve been through too many “Hey, let’s announce!” “Oh wait, it just got canceled” cycles. Thus, here’s the basics about what is in the works (with codewords):

    • Starry Alpha – Working on outlines for an established property. Pitch!
    • Pinefresh Theta – Pitch, full script, and sample sketches sent off to an anthology.
    • Sparkle Mega – Full pitch in the works for a short-term series.
    • Red Sigma – In addition to pitching, I am going the small press publishing route for a collection. Still in the planning stages on this one, though!


    Fiction

    Fiction is still on my radar, and there’s been some movement on that front.

    • Gods, Memes, and Monsters – My story “Three of a Kind” was recently published in this collection.
    • Upside Down: Inverted Tropes in Storytelling – I’m co-editing an anthology with Jaym Gates for Apex Publications. Here’s the announcement. We’ve gotten in about a dozen stories so far, and I’m really excited to see this come to light.
    • Novella – I have a dark, science fiction novella I need to finish revising so I can sub that out. Codeword: Red Byte
    • Novels – Another round of revisions on Novel A (Codeword: Silver Dagger) in May, Novel B (Codeword: White Fang) probably not until July. I want to rework the plot for B.


    Non-Fiction

    New for this project update! WOO! I signed with Red Sofa Literary to represent a worldbuilding book I wrote.

    • Worldbuilding Book – I’m working with my agent to hone my pitches for interested publishers. Pretty excited about this!

    • For Exposure: The Life and Times of a Small Press Publisher – A book of essays written by Jason Sizemore, the publisher for Apex Book Company as part of the company’s 10 year celebration. I have written a satirical essay which is titled “The Case of the Mysterious Splatter.” It has footnotes. Many, many footnotes. It’s now available.
    • The Gorramn Shiniest Dictionary in the ‘Verse – This language guide for the Firefly TV show will be out this Spring from Titan Books. You can pre-order it now. Awesome!

    That sums up the new releases and a few projects that are in progress for me. Back to the grind!

    Progress Report #7: The Workhorse Edition

    If you’ve been following my blog, you know that I am building my career strategically, by focusing on the work. That’s my choice to do that, and I feel that putting out quality effort is what will enable me to keep writing full-time. There’s a lot of planning and pitching I do as well, because this is my life and I want to be writing professionally for a long time. Sometimes, though, this puts me in the position of not being seen or taken seriously by certain folk, because doing the work isn’t the same as talking about the work or issues related to it. This is partly why I go to conventions, to connect with other people, but even then my budget and time is limited. I simply can’t get to them all.

    Why am I telling you this? Well, I wanted to bring this up because I wanted to reinforce that this type of business plan is pretty normal. A writer who writes “a” best-selling novel, who makes a career writing professionally, doesn’t drop what they’re doing and simply spend all their time marketing themselves or the one book. Media/tie-in writers who get paid on a work-for-hire basis have to be more vigilant, I feel, because the rights are owned by the publisher. Regardless, my point here is that the most important thing you can do for yourself is to figure out your own plan–and own it. I certainly am! (And, it goes without saying here’s a note of encouragement: I believe in you!!)

    No, there aren’t guarantees to success and luck doesn’t just favor the prepared. However, I feel you can never go wrong by focusing on quality work, because that makes all the difference in the world. I’ve had considerable more opportunities open up by showing what I can do, versus than trying to convince someone I’m amazing. The work, when you’re a writer, is proof that you know what the F-bomb you’re talking about–and that work is NOT just about hitting word count. It’s also about revising, polishing, reading, researching, and being able to disseminate feedback and criticism from those who either love everything you do or hate it.

    In addition to my list of projects, I’ve also got more shows I’ll be going to than I have in the past few years; this means my focus has to be tighter. I recently spoke at the GAMA Trade Show and went to the Rainforest Writer’s Retreat, but I’m heading to OddCon, MO*Con, Origins, Geek*Kon*, CONvergence, GenCon, and UK Games Expo with a few more slotted in as potential trips. With a full traveling calendar, my work schedule will depend on hitting deadlines and staying on task–especially since I haven’t gotten around to spring cleaning yet. Ahem. I’m also sitting on a few announcements, too, some of which have been in the works much longer than others. Phooey.

    Overall, though, I’m strongly focused on shoring up my portfolio by expanding into new areas. When you look at this list, please don’t make assumptions since these projects primarily reflect what I’ve done recently. If you want to hire me to write, please contact me and we’ll figure something out if possible.

    On with the current state of the state!

    Games

    Q1 was highlighted by the World of Darkness: Dark Eras Kickstarter and some fun announcements–like how the Firefly RPG took 2nd Runner Up for Game of the Year 2014 in the Golden Geek Awards and The Escapist nominated the Firefly RPG for Game of the Year 2014. Shiny!

    • Things Don’t Go Smooth – This GM-facing Firefly RPG supplement is now available in digital and print.
    • Smuggler’s Guide to the Rim – This is a book filled with lots of great material for players and GMs. It released in digital early this year, and the print edition will be heading to a game store nearest you very shortly.
    • Ghosts in the Black – This is a Firefly RPG campaign supplement that we’ll be announcing on margaretweis.com shortly.
    • World of Darkness: Gothic Icons – What’s gothier and angstier than Gothic literature? Gothic Icons! It’s a free download that’s offered for Onyx Path Publishing’s April Fool joke.
    • World of Darkness: Dark Eras – Wrote the Hunter: the Vigil supplement for this book for 1690s Colonial America. We will be adding an additional 5,000 words to flesh it out with First Nations-related material, and I am also writing Geist: Roanaoke. Thanks for making this Kickstarter so successful!
    • Brandon Sanderson’s Mistborn RPG – I contributed to the Skaa supplement for this game and Logan Bonner is my developer. It’s still on the schedule!
    • Vampire the Masquerade Dread Names: Red List – Sending it off to editorial within the next couple of days.
    • Vampire the Masquerade: Ghouls – Once Dread Names: Red List is done, I’m tying up this project.
    • Conan RPG – That’s right CROM! fans, I’m writing for the Conan RPG and two of its supplements.
    • Unannounced – Working on an unannounced Savage Worlds supplement through a small press publisher. It’s hellacious!


    Comics

    Feeling crushed and defeated, so these are on hold. I come across opportunities for a single issue every now and again, but my options are bleak. I could write more scripts since I have an artist, but since I have a better chance selling my fiction? My efforts are going into that direction at the moment. It feels terrible that I can’t pay an artist to do the work, even with an artist who’s volunteering to do some work up front, and comics are very time-intensive. Also decided to skip the comic-related shows, since I’ve gotten nowhere.

    Fiction

    I went to a writer’s retreat and it was very, very good for me. Set aside a lot of bullshit, and have been diving back into storytelling.

    • Novelette – I submitted a 10,000 word novelette called The Women who Called Down the Worm for review.

    • Short Stories – I have a few reprints in circulation, and I’m also getting critiques on a few original short stories before I sub those out.
    • Anthology – I’m co-editing an anthology with Jaym Gates called Upside Down: Inverted Tropes in Storytelling for Apex Publications. Here’s the announcement!
    • Novella – I have a dark, science fiction novella I need to finish revising so I can sub that out. Codeword: Red Byte
    • Novels – Another round of revisions on Novel A (Codeword: Silver Dagger) in May, Novel B (Codeword: White Fang) probably not until July. I want to rework the plot for B.


    Non-Fiction

    New for this project update! WOO!

    • Pitch A – Finishing up a pitch for Codeword: Palm Tree that’ll go out in a week or two.
    • Project A Plus – Working on revisions in April.
    • For Exposure: The Life and Times of a Small Press Publisher – A book of essays written by Jason Sizemore, the publisher for Apex Book Company as part of the company’s 10 year celebration. I have written a satirical essay which is titled “The Case of the Mysterious Splatter.” It has footnotes. Many, many footnotes.

    That’s all for now! More to come in the 2015 edition of: Work One’s Ass Off.

    2014 in Review!

    I had one of those moments a few weeks back, the kind where you’re forced to stop and wonder what you’ve been up to for the past several months. We were driving through the redwoods, and we stopped at the base of a very large tree. I suppose that’s an understatement, given the fact that they are, indeed, “the” redwoods, but to actually be there… To listen to nothing–no birds, no frogs, no crickets–nothing… The only bit that’s left when there’s total silence is either that or the thoughts swirling around in my head. Usually it’s the latter, which often turns into some musical refrain. Sadly.

    Anyway, the big question that popped into my head was: “Have I done enough?” Did I accomplish my goals for 2015? This year, I’m happy to say, yes. Yes, I did. I wound up doing more than I initially anticipated, and managed to achieve said goals on top of major life upheaval (moving) and family medical emergencies.

    This may not sound all that exciting to you, but the fact that I was able to go through over a million+ words and put a nail in 2014’s project management plans despite Real World Concerns is a huge deal for me!

    In 2014, these were the games and supplements that were released:

    I’m very grateful to see all of this work make the light of day. Many, if not all, of these releases are eligible for industry awards as well. Hope you count some of these among your favorites!

    A huge “thank you” to my collaborators and business partners, my writers, editors, and artists, and to my fans and readers for your support. It’s been a great year, and I’m really looking forward to 2015!!!

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